The austere electronics are still often sparsely applied, crossing over each other, in not quite counter point.
Blake's voice is soulful, but has a thin winsome fragility, that often breaks in mid phrase, swallows and warbles back into the melody line. The title track Overgrown, exemplifies this style at the start then mid track develops a lush wash of sound falling over the voice like a waterfall.
Any connection he had with dub-step seems a somewhat irrelevant one these days. He hasn't lost his sense for experiment, its just become more focused and refined. Digital Lion, co written with Brian Eno, Retrograde, Take a fall for me and Voyeur take you on a fantastic unexpectedly diverse journey. To the Last, the penultimate track, with its chiming bell keyboard refrain is quite the most beautiful thing he's written. The final track, Our Love Comes Back, is fittingly a straightforward real tune presented without much fuss and clickety clicking. Almost electro -easy listening.