I've begun each piece by handwriting in a criss crossing grid, the whole of the Fire Sutta., underlying whatever happens in the subsequent layers over it. Sometimes its still visible, sometimes barely noticible it receeds into the general patterning. It seems appropriate that the Dharma should be underneath everything, even if its not seen. My working process has subtly altered over time, so that I now let each piece evolve at its own pace. Allowing whatever is to come next to emerge out of the completed previous stage.
For my birthday I was given an airbrush, its a pretty basic point and spray, which is at present all I need. 'Broken Machinery' 'Irregular Transmission' and 'Passing Through Phases' are my first pieces using it.
Anyway, here are a few of the more recent pieces.
|Passing through Phases|
|Soundings Are Taken|