Friday, June 26, 2020

POEM - Through

It is breaking
breaking through
in shards,
and the fizzing of atoms,
sunlight breaks through
filtered, ripening the atmosphere
into blue diffused azure
through
clouds and tree branches
it passes
through a patterned glass door
through the soft net folds
of its curtain
on it persists
slipping through the cracks
between true
nature and false nature
the pleasure and mood
of our being undeserving of it
but it does break through even that
with paintings of adamantine beauty
soft glowing abstractions
smeared across emulsion walls
dabbled over un-hoovered dirt
gently resting upon the surface tufts
of an old beige carpet
the world is receptive
to a light that is free to all
the pure evangelical experience of sunlight
arrives without cherubs or trumpets,
as an unearned gift
a kindhearted reminder, to wake up,
eat breakfast, but above all
to wake up.


written May 2020
Stephen Lumb

Wednesday, June 24, 2020

ARTICLE - The Stains of Empire

















Once upon a time we controlled a vast empire, but we do no longer, Yet in our imaginations we are still empire builders, just ones who are down on our luck. This leaves our countries collective ego permanently bruised. The more we remain in this realm of loss, grieving, we stay stuck within a resentful state of denial and anger over it. The more we behave like petulant infants, the more foolish we look in the eyes of everyone else, except to ourselves. Our constant bragging and talking up our status as 'world beaters' appears as the ridiculous charade it is. We don’t drive the world's economy anymore. Paradoxically our present standing and influence in the world, though greatly diminished, remains utterly indebted to that past and the stains of an empire.

Full extent of the British Empire















History, truthfully told, informs us that how we behaved in order to create and maintain that empire, power and influence, came at a huge human cost. There is then a debt of guilt that we constantly try to squirm out of paying off, one we defer, deny or void transacting. Our conscience as a country will never be clear until we do. We continue to avert our gaze. When will we stop our sulking and cease the constant straining to reheat the stone cold cadaver of empire? Whilst all the while newer economic forces are kicking us further into the long grass like a useless rusty old can. The world long ago lost patience with waiting for this imperious attitude to change.
















Even my humble lifestyle, many centuries later, is built on the ground that British slave traders and entrepreneurial marauders first made. The British Empire, like all empires, did not come about reasonably or peacefully, it pillaged and ravaged like any other, We raped other countries of their people, resources, culture, independence and dignity. We used lies, subterfuge, dissimulation, coercion and repressive power to get our way. We placed iron necklaces around people’s necks, we commodified and displaced them. We committed gross atrocities, created the world's first concentration camps, were the great despoilers of cultures and empires far older than our own. All of which we’ve retrospectively applied a sepia tinted veneer to, and a quintessentially English mood of refined respectability and aloof beneficence.



Though we undoubtedly all have had our own struggles, our own indignities, our own sense of wrongs being done to us via common prejudices about status, class or gender. We can always fall back upon national pride in the empire to buttress our self-esteem if we wish to. This presents us with an authenticated certificate of a god given mission. We feel somehow divinely blessed, and no matter how poor we are we can always grasp onto that particular lifebelt. Inhale its salty revivifying perfume, whenever reality knocks us down to size and puts us in our true place in the world.

I have a responsibility as an Englishman, to own my ingrained racism, to accept that it's ingrained nature will make it hard to see clearly. It resides in an unspoken sense of economic entitlement, a national and cultural superiority that arises in part from the propaganda of empire the effects of which still insidiously roll on and on. But this means our present identity as a country is fatally flawed and gives itself an entirely unearned gratuity. Resorting to playing the sentimental rhapsody of empire whenever things get a little challenging to our national self-esteem.

Yet the Empire petered out during the first half of the 20th Century, and ceased effectively to exist before I was born. It nevertheless has left a stain upon our psyche that seeps out in how we talk, think and see ourselves and others. It’s a poisonous legacy, tangible through the all pervading fatalism, our arche cynicism, our ridicule of positive developments, our persistent amnesia over our role in the slave trade, our denial of responsibility or guilt for the dark side of the empire, the defensive defiant nature of our anger, our negative views of the state of our country, all fundamental to the desire for Brexit and the need to be great again. It’s like a psychological plea for help hidden away in the lining of some very plush but closed curtains.

















At the moment we hear stronger echoes of our level of indebtedness and responsibility through the #blacklivesmatter protests. This is holding up a mirror to us, yet again. Our refusal as a country to look for too long into that mirror, to fully face the wrongs committed against our fellow humankind in the days of Empire and even through to today, leaves us all abandoned in an alienated state of mind. Always wanting to be left alone as an island, able to physically and psychologically cut ourselves off from Europe, even though we share a history of being fallen empires with most of them. Many have allowed themselves to grow beyond the stains of their empires. Yet here we are still viewing the rest of the world as if it still owes us allegiance, that the Empire can be re-kindled from the embers of what is essentially a mythology founded on lies and half-truths.

There is a pressing need for the history books on the British Empire, to be publicly  re-examined, re-thought and re-written. Our history, like some of our statues, does present and uphold unexamined many immoral things. Toppling those statues or burning those books, without self-reflection and self-examination, would do us no good whatsoever, that would let us off far too lightly. Until we embark on some essential re-examination of our past, we petrify the vision, creativity and imagination of our future, we leave the door closed to a more optimistic forward looking identity as a country.


















Britain is a mongrel nation, that prefers to think of itself as thoroughbred. We have been for millenia an island that benefited greatly from successive waves of immigrants, this is what has created who we are. It is then quite ironic that we have this strong tendency toward being small minded, insular and xenophobic. We do not fully understand how we came to be as we are, because our view of our past is deluded and holds us back. There is no longer any room for special pleading, but we try nonetheless - the British Empire was not all bad - look how much we helped them - we gave them democracy and well run institutions - we gave them our god and our reason. All delivered in a patronising form of kindness, as though you’re sending a bolshy child to bed without supper until they show some respect and are grateful.





















We were never anyone’s betters. We were just the more powerful adversary, economically, militarily so we could usually get whatever we wanted. What has been portrayed in the Boys Own Annuals as pioneering and heroic, was in actuality a colonial opportunistic grab of power and land, often for purely personal aggrandisement and gain. Such was the life of Clive of India, for instance, but he was far from alone in this sort of activity. This behaviour was often state endorsed, officially approved annexation and appropriation.





















I maintain some pride in my country, but the way it continues to behave makes that hard to hold without shame and embarrassment. Our patriotism is of the shallow sort, the one that waves a cheap plastic union jack on a stick, one that is founded on a rotten set of self-beliefs. If it reeks of hypocrisy, racism and corruption this originates in our state institutions, our establishment and its moneyed elites, but it spreads out to infect our wider culture, economy and society. Everyone recognises the smell, the stench of it, it is like a broken drain that no one wants to dig up and mend.

The stains of empire bind us to a view of the past that is actually unworthy of us. We should expect more from ourselves than this tattered old map of Britannia ruling the waves. If we could liberate ourselves from this, we might see ourselves as capable of so much more. If we could genuinely re-envision our past, we would be free to re-vision our future and take it forward in any way we wished.





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Friday, June 19, 2020

UNDER THE INFLUENCE OF - The Wisdom of Insecurity




 In 1981 was wandering around Camden Town and popped into an alternative bookshop, just for an idle browse really. After over a decade of 'not quite an atheist / not quite an agnostic' a level of disquieted soul searching had begun bearing down. The paradoxical nature of its title The Wisdom of Insecurity made me pick it up, buy it, come home, be excited whilst reading it. A complete novice about eastern religions, I had no idea who Alan Watts and what Taoism were. The subject matter was a revelation. It spoke to the insecurity and dissatisfaction I was consumed by at the time. Saying - you know it's alright feeling insecure, just stop making it a lot worse than it need be.  For a few years is was a touchstone that I regularly returned too.

Alan Watts was English and a largely self-taught spiritual practitioner. His early contact with Theosophy and The Buddhist Society led him to Zen where for a while to found his spiritual home. Watt's continued exploring Taoism and other religions. Later in life becoming an Episcopalian priest, until involvement in a sex scandal forced him to step down. Watt's 'universalist' approach, religious snacking wherever he wanted from the spiritual supermarket chimed with the late 1960's zeitgeist.  This gained him wider fame in middle age.

These days, having read more widely about Taosim, Zen and Buddhism, I see The Wisdom of Insecurity with quite different eyes. It is what it is, light on the othodoxy, entry level spirituality, quite clearly and accessibly written. There are places where he goes 'off piste' and indulges in his favourite religious syncretisms. There is also something about a public school educated man turning himself into a guru with long hair, beard and a pipe, bedecking himself in malas and necklaces, that strikes you these days as a bit dubious. Still, I have to express my gratitude to Alan Watt's for The Wisdom of Insecurity, because his book kick started my spiritual life.

Sunday, June 14, 2020

200 WORDS ON - Statues





















Statues present a flawed view of history. The great and good portrayed unlikely to have been paragons of virtue in everything they did. To become extremely wealthy often requires the use of dodgy ethical behaviours, which are then laundered retrospectively through philanthropic gestures and charity work. 
Remember all the statues of Jimmy Saville subsequently destroyed, someone else who hid his moral turpitude behind very public charity work. Perhaps we should exercise greater restraint in whom we immortalise in stone in public spaces. If we do so at all.

Toppling statues is highly symbolic. An expression of disdain, that provocatively edits what can be publicly lauded. Removal is one way to correct the misrepresentations of our history. We can also re-label, providing a greater breadth of information about who someone was. The scope of our history teaching can be broadened. Statues are just dumb monuments otherwise.

Westminster Abbey, a supposedly sacred building, now resembles a storage unit filled with herds of plinths and carved marble statuary. Statues should enhance a space, but there they make it cluttered. Parks are lined with commemorative bronzes to people, either no longer worthy of respect, or mostly forgotten. Historically and aesthetically statues are piss-poor representatives





  

Saturday, June 13, 2020

200 WORDS ON - The Pursuit Of Happiness
















The pursuit’ of happiness, sounds as if we are hunting happiness in order to capture and hold it prisoner. If happiness ‘eludes’ or ‘escapes’ us, it’s because it wont be tied down or we don’t recognise it when it arrives. If we were eternally happy how would we know? Happiness could turn into a special state of hell. Knowing you’re happy is bound up with knowing you were unhappy. To take pleasure requires the dark shadow of pain to stand over it.

What makes us happy? A deep satisfaction in an achievement, in a person, situation or place that helps us feel fulfilled and content. Everything in our world seems suddenly to be alright. Happiness invariably arrives unannounced, further surprising and pleasing us because it did so unexpectedly.

Whether happy or unhappy we can become over-intoxicated with it, in the heights of our glee or the pit of our misery, this unbalances us. From a point of morbid despair ‘the pursuit of happiness’ can feel ridiculous. Unbounded happiness can become stifled by its own greed.

Mostly we’re just doing OK, and maybe that is, paradoxically, a much happier way of living your life, than endlessly pursuing the chimera of happiness.


Friday, June 05, 2020

CARROT CAKE REVIEW 22 - Two Unforgivable Sins In One Cake

Wells next the Sea, North Norfolk.



One family appear to run a large part of the shops in Wells. This bakery has been there for decades and is a very traditional bakery that knows its market. To my taste buds their cakes and pastries tend to be seriously over iced and are prone to prioritise size over taste. So a sweet pastry will be absolutely huge, but with sugar drowning out the strengths of any other flavourings.  Bigger is rarely ever better. On a day in the middle of lockdown when no cafes are open and only one bakery that coincidentally also serves coffee, and this was it. I thought 'go on give their carrot cake a whirl', broaden your case portfolio.

The coffee was just a coffee, straightforwardly generic, nothing fancy. Though it too tasted sweet, probably due to dropping one of those small catering condensed cream pods into it. We also bought and ate a very tasty savoury Spinach & Feta Pasty. The carrot cake came in a cellophane fronted paper bag that had adhered to it, and was actively suffocating the buttercream icing by the time we'd walked to the beach. Any decorative texture constructed by a pallet knife was effectively squished like a cow pat. It was, after all, only a traybake, and regular readers know what I feel about those. I refer you to the Golden Rule of Carrot Cake No 6 - a traybake is not a carrot cake.  It is then one of the most unforgivable sin for a carrot cake to transgress. But I had already adjusted my expectations accordingly, in a generally downward direction.

Externally it looked like a substantial slab of cake. In my hand it bore a bit of weight, if hurled with  intensity it might prove a little alarming, but would not bruise. It bore a light tan colour that's rarely a good sign. Already my antenna was spitting suspiciously to life - spice cake or walnut cake? either way this would be the second unforgivable sin! The Golden Rule of Carrot Cake No 1 - a spice cake is not a carrot cake. There was indeed at least 'a carrot' in it because you could spot little squares of orange colour floating across the beigeness of its palid flanks. Would it actually taste of any though?

The human palette cannot lie. A suggestion of carrot texture maybe, a homeopathic hint of carrot flavour, quite a bit of sugar, with apparently a wheelbarrow load of spice thrown in. There it was, the great cake offence, slapping me not just in the face but in my stomach juices. The buttercream did appear an unhealthy jaundiced yellow to me too, sitting as it did on top of the cake like cement mortar. A walnut brain rested in the middle, the only notifiable nut present, with not even a moist sniffter of sultanas. The buttercream tasted over sweet and over greasy. The bottom of the traybake felt wet and undercooked when handled. Hubby 'The Demon Cake Professional'  informs me these are both signs it wasn't fully cooled before the buttercream was slapped on. But then this was a local bakery, and it is only a traybake, so cut them a bit of slack Vidyavajra. What else does a carrot cake reviewer down on his luck and opportunity during a pandemic have to do?

Apart from eat a carrot cake that's really a traybaked spice cake. Oh the sacrifices and compromises I'm being forced to make. All for you, all for the benefit of you, dear reader.


CARROT CAKE SCORE 3/8