Saturday, October 31, 2026
SHERINGHAM DIARY - No 144 - Mr Sexy Voice
QUOTATION MARKS - Emptiness and Stillness by Byung-Chul Han
2026 PLAYLIST - No 25 - The Definitive Map by Getdown Services
The Definitive Map by Getdown Services
Their second album, Massive Champion, felt a slightly disappointing mix of the truly brilliant and the likeable but nonetheless retreading of its own old tropes. But this one track The Definitive Map, I think is ( Radiator aside ) the highpoint of it, and really is them at their finest musically. Lyrically it's all a tad oblique. But appears to be about some sort of boundary dispute, that gets out of hand and spills over into their workplace. That appears to be an abattoir !
I'm playing potluck in pigsties with an overactive thyroidFour times a week, getting jumped on by a big lad
Always overdo it with the harsh interrogation
Wanting full names and pictures of my friends and their locations
Tell your mum it's a public right of way, look it up
I don't care if the path goes through your house
I'll wipe my feet on your dad's back
Trespass
Trespass
Trespass
Just trespass
And now I'm in the battery farm with all the chickens
And we're all fucking sick of it
Bob Dylan went electric, you went fucking shit
Get your livestock out my face
Get your livestock out my face
Get your livestock out my face
Get your livestock out my face
Trespass
Trespass
Trespass
Just trespass
Trespass
Trespass
Trespass
Just trespass
And we're all fucking sick of it
Bob Dylan went electric, you went fucking shit
You fucking bastard
You fucking bastard, huh
You fucking bastard
You fucking bastard
You fucking bastard, twat
You fucking bastard
Your sister's crying (Ah)
You fucking bastard*
2026 PLAYLIST - No 24 - The Ribbon Factory by Madra Salach
Thursday, October 29, 2026
2026 PLAYLIST - No 23 - I Get Noise by Arab Strap
This track fair rattles the cages as it roisters along, opening up their recent album Half Told Tales ( reviewed here ). It has all its instrumentation set on blaring, whether that be sax brass or battle drum guitars. It also has Aidan Moffat writing at his most cantankerous, which is always worth paying attention to. I just love all of it's three minutes twenty three. It leaves me wanting for more.
With hands to sky
I need something real and true
A word from up on high
You're in my head, my hair
My dreams, my thoughts, my prayers
You overshare and overbear
I want a barely furnished head and heart
With a steadfast front door bolted shut
I want solitude and silence, but
I get noise
Walk me in overnight in a comic shop
I want toil and tears and time to stop
I get noise
POV, you're a forensic expert
POV, you're no beggar, but
POV, you've broken your silence
POV, you're just asking questions
But you pollute my air
You're in my head, my hair
My dreams, my thoughts, my prayers
You overshare and overbear
Now listen
I want to slip away from the congregation
Be king of a kingdom of isolation
And mute your stupid conversation
I get noise
From this frightful, fateful, fucked up day
I want liars, frauds, and thieves to pay
I get noise
I get noise
You've been doing it wrong this whole time' **
** Lyrics by Aidan Moffat - I Get Noise by Moffat/Middleton
Album Half Told Tales available on Rock Action Records.
FINISHED READING - Notes On Nationalism by George Orwell
' Every nationalist is haunted by the belief that the past can be altered.'
This pocket book of three essays by Orwell; Notes on Nationalism; Anti-Semitism in Britain; The Sporting Spirit, were all written in 1945, at a point near the end of the war. And Orwell is minded to reflect on the prevalence of nationalism generally within the UK itself, than bask in the unwarranted superiority of being the victor over Nazi fascism.
'The general uncertainty as to what is really happening makes it easier to cling to lunatic beliefs'Reading it over eighty years later, it's a mixture of recognising some of the nationalistic tropes, but bound up with concerns very particular to the time, and what became the search for a post war consensus - of never again. But what Orwell says time after time here, is that we have to examine our own residual tendencies towards xenophobia, nationalism, racism and the othering of minorities. Ridding ourselves of the Nazi threat, was not the end of all that, would that it were.
So, does Orwell have anything to say, that might be useful for us to here now? He starts, as one should, by defining his terms.
By 'nationalism' I mean...the habit of assuming human beings can be classified like insects...confidently labelled 'good' and 'bad'...the habit of identifying oneself with a single nation or other unit, placing it beyond good and evil and recognising no other duty than that of advancing its interests. Nationalism is not to be confused with patriotism.'
He then proceeds to identify three particular characteristics.
First, an obsession with cultural superiority and the execution of power and prestige.
Second, an indifference in not seeing the reality of different sets of facts as being similar.
'Actions are held to be good or bad, not on their own merit but according to who does them, and there is almost no kind of outrage...which does not change its moral colour when it is committed by 'our' side.'
Thirdly, an instability is often built in to the nationalistic frames of reference. The most nationalistic of leaders are often not from the country they are extolling the virtues of, and their allegiances can quickly shift from approval to condemnation. Hitler being the classic example. Nazism and extreme Zionism shared very similar ideological foundations, but Hitler, nonetheless took against the Jews.
Orwell then explores three types of Nationalism, which are not separate and discreet from each other, and can cross blend.
Positive Nationalism - such as that propounded by what we would now call the Far Right of the Tory Party, or Reform - What Orwell calls Celtic Nationalism, but we would see as the SNP or Plaid Cymru today - and finally Zionism. All contain ideas which are the seeds of ideals for an innate and self righteous superiority.
Transferred Nationalism - where particular individual gripes become elevated into nationalistic concerns, such as Communism, Political Catholicism, Feelings about one's colour or class, Pacifism. To which I might add Woke Culture Wars and Immigration.
Negative Nationalism - where the intelligentsia, or elites take a derisively hostile attitude towards something, such as a habitual Anglophobia towards anything Britain does. - a similar attitude of Anti-semitism - An anarchistic approach towards Communism, that Orwell labels Trotskyism.
Almost embarrassed by the level of his own over simplification of the issue, he then concludes by recognising the complexity:-
' One has no right to assume everyone, or even every intellectual, is infected by nationalism. Secondly, nationalism can be intermittent and limited. An intelligent man may half-succumb to a belief which attracts him but which he knows to be absurd, and he may keep it out of his mind for long periods, only reverting to it in moments of anger or sentimentality, or where he is certain that no important issue is involved. Thirdly, a nationalistic creed may be adopted in good faith from non-nationalist motives. Fourthly, several kinds of nationalism, even kinds that cancel out, can coexist in the same person.'
Essentially Orwell is stating that we are all capable of evincing strong nationalistic tendencies, that it does quite often depend upon the conditions we find ourselves in. And I can observe myself making internal judgements about who Reform voters or flag shaggers are, and I habitually imagine poorer working class people who 'don't know any better' which is a middle class way of implying they are ignorant. However, if I was to find myself in straightened economic circumstances, where would my anger and frustration be directed?. Would it locate someone or something to blame, what or who would that be? If you found yourself financially struggling how would you maintain your sense of dignity or self worth?
'The point is that as soon as fear, hatred, jealousy and power worship are involved, the sense of reality becomes unhinged... even if one admits in an intellectual sense that it is unjustified - still one cannot feel that it is wrong. Loyalty is involved, and so pity ceases to function.''
In the end Orwell turns the focus back upon ourselves. Nationalist viewpoints too easily locate the source of all our problems external to us. Fighting nationalism externally means recognising this tendency within ourselves, so we can come from a point of empathy, and not entirely driven by a consciously self-cultivated enmity.
' As for the nationalistic loves and hatreds that I have spoken of, they are part of the makeup of most of us, whether we like it or not. Whether it is possible to get rid of them I do not know, but I do believe that it is possible to struggle against them, and that this is essentially a moral effort.
It is a question first of all of discovering what one really is, what one's own feelings are, and then making allowance for the inevitable bias.'
As an essay, Notes on Nationalism does have a world view that is very much of its time. So, yeah, it is a bit dated in the examples he gives. But its essential moral thrust is still quite powerfully expressed. to start from your own home, before you are tempted to start throwing stones at another person's.
CARROT REVIEW - 4/8
Wednesday, October 28, 2026
FEATURE - The Examined Life - Philip Goff
Monday, October 26, 2026
FINISHED READING - White Mughals by William Dalrymple
Sunday, October 25, 2026
PLAYLIST 2026 - No 22 - Interior Life by Arto Lindsay
Discovering this man's music from thirty years ago, has definitely been the sound of the year for me. The one I've found myself returning to time and again, as I discover yet more lost beauties. Most of his albums from the nineties do not exist on the market as downloads, but you can still find, ever so slightly pricey CD versions. There is a very good compilation Encyclopedia of Arto, which was my basic introduction to this man's art and electro inflected bossa nova.
I recently obtained the original CD version of the album Prize, an album from 1999. And nestled penultimately is this track Interior Life, slightly more grundgy around the edges than is usual, it grinds along on a rougher cut chugging rhythm section, with sax breaks and spacey segues, and one bit that sounds like a vocal line fed through a malfunctioning amp. Plus, of course, his usual laid back choppy phrased lyrics that are an Arto feature. It starts off sounding quite pared back but slowly builds up its rhythmic complexity throughout the song, until it is fair rollicking along by the end. Oh, this music is just bliss for me.
Friday, October 23, 2026
QUOTATION MARKS - Things by Byung-Chul Han

Wednesday, October 21, 2026
FINISHED READING - Non-Things by Byung-Chul Han
Monday, October 19, 2026
LIFE AS PILGRIMAGE - 5 - The Secular Search For Fulfillment
Today, social media has only made holding this ideal of personal perfection worse. We are currently all living through an era of semi-paralysing anxiety as a result. And even if, theoretically, we were for one moment to achieve that perfect level of fulfillment, there would be no guarantee it would stay that way. Conditions and circumstances change, they run out of our control. You lose your job, people die, you die, wars happen, climate catastrophe arises, cultures and civilizations collapse. The world is an inherently unstable and insecure place.
FAVE RAVE - Refashioned Hippie
FAVE RAVE - Lucy Darling
Lucy Darling is the alter ego of Clarisa Hendricks, creating her to combine with her magic show. Initially she was just one of many characters she thought up. Lucy Darling was influenced by a few Hollywood Golden Era ballsy dames, obviously Mae West, Barbara Stanwyck etc. A more left field influence is John De Lancie, who if you are a Trekkie, is the actor who plays Q in many a series. Once you know this, you can see how this might feed into Lucy Darling's derision and frankness. Slowly over the years her magic show has developed so there is now quite a substantial amount of crowdwork.It's probably what most people come for. For as you will see, Lucy Darling, is very quick witted, and insults and plays her audience perfectly. Lucy Darling is one of my favourites things to tap into whenever I need cheering up.









