Showing posts with label Work In Progress. Show all posts
Showing posts with label Work In Progress. Show all posts

Thursday, June 24, 2021

STREAMING FAVE RAVE - Baumgartner Restoration










My love of watching craft makers at work cannot currently be sated by The Repair Shop.  I've watched them all. I've searched further afield for my fix, eventually coming across Julian Baumgartner on You Tube. Currently I can't quite get enough of watching his working process. I am in awe.

The work demands someone who is methodical and patient. Lots of scraping away, thoughtful slow careful preparation, the time he takes over this is simply astounding. These are obviously edited videos, often speeded up filming to fit into a half hour or hours running time. Then there is the cleaning, executed in rhythmic circular motions taking off just the dirt and varnish, but no more. If it won't come off with gentle solvents, then its stronger ones, and if these are ineffective then he scratches the residual old varnish off bit by tiny bit with a scalpel. All of these processes cannot be hurried and may take hours and hours and hours.

All the while he's not getting into a flap. His tables, unlike mine, never get messy or disorganised. He makes sure he takes regular breaks from the tediousness of some tasks. He knows how to look after his mental health. Loves the restoration part but is used to delaying his gratification sometimes for days. Then there are the decisions he has to make about what he is or isn't going to conserve, how far he is going to take his restoration, what his client wants and what he can deliver.

Here is one just so you get the feeling for its fascinating minimalism. Be warned its addictive and some of his videos have several sequences to be watched.


Saturday, January 16, 2021

FAMILY FRAGMENTS - The Proximity of Memories
















The position of the dark red high backed armchair was predetermined within the room. The coals in the small fireplace occasionally spat out bright orange phlegm, just to its right. From here you could view whatever was going on in the back room of this terraced house. The floor space always looked cluttered; a folded down dining table and its guardian chairs; a three piece suite with brightly crocheted antimacassars; various poofs, sewing, sewing machine, thread boxes, photo albums stacked under the low coffee table. A long sideboard and display cabinets fully inhabited each alcove, containing a miscellany of cutlery, plates and ceramic objects. Everywhere stuffed to the gill in this nonetheless cosy nook.

The wings of the armchair formed huge amplifying baffles, directing softly spoken conversational details to any person who sat between them. Dora, as usual, was ensconced there, attentively listening, legs placed close together, feet front facing, arms relaxed, hands at ease in her lap. The frailness of her body dwarfed by the chair in which she rocked. Today she was seventy, the supposed focus of a family celebration, a queen for the day being greeted by her subjects.

Currently frowning, she wasn't in pain, but simply straining to follow the chaotic mess of interactions between her grown up children, whilst their own youthful offspring energetically bounded under, over and around tables and chairs. Though it was her birthday, this felt like too many people. Frequently proving tricky for her to hear, she missed, or misinterpreted, a lot. 

'It ud help me if the didn't gabble su much' 

She thought half aloud, never quite sure where the volume knob her own speaking was set. An under the breath mutter easily came out as an exclamation. Too quiet you wouldn't be able to successfully interject, too loud and it sounded as if she were shouting them down. It was rare that they fully caught her drift anyway. She was used to non-comprehension, both her own and other people's.

Their gossipy chatter continued hopping around from one subject to another and then back again. Sometimes Dora managed to keep up with this conversational flow quite well, through a combination of lip reading and snippets her hearing aid picked up. On other days, like today, everything was painfully distorted, as though passed through a hiss of static. The consequent experience of isolation was distressing. She had the desire to be at the heart of these family get-togethers, but it was common for her to be the mute figurehead. 

The feeling of being forcibly removed that the deafness imposed upon her, had only increased in frequency as she'd got older. Being ignored in a group growing in direct proportion to how elderly you were anyway. She often resigned herself to sitting back and being the quiet observer, voluntarily absenting from active engagement. The proximity of memories became easier to interact with than other people. So her attention drifted off, gazed into the fire or empty space. Remembering past incidents from decades ago, to the days before her husband died. 

Her husband Douglas? Well, almost to the end he'd been an active hulk of a man. Though, after fifty six years of life, he was snatched away in just a matter of days by un-diagnosed  blood pressure and circulation problems. Dora, suddenly bereft, was bringing up the remaining dependents of her brood of eight, single-handed. Her children had done their best to step up and help out, Reginald and Maureen, the eldest, in particular. 

The following years were tough financially and emotionally. The family would be a strain to feed until more of them were working age. No matter that the children at that time were ranged in age from on the brink of teenage to into their twenties or married, she'd needed to rapidly reduce the size of the family home and then somehow fit the remaining progeny into this more manageable terrace, The one she was now retired in, with her eldest daughter Maureen as her default carer, still living with her.

Was it a coincidence that Douglas's death had also been the point when she'd first noticed the decline in her hearing? Initially she'd made light of it. Jokingly blaming it on over twenty years of perpetual pregnancy. Yet the drain on her energy of repeatedly giving birth had weakened her physical stamina, as did forever clambering up and down the cellar steps to fetch water to boil and wash clothes. The day to day drudgery any Mother had to do then for her children. 

'Douglas! wer useless at bein a Father.....no elp to nobdy but hiself.'
She muttered.
Maureen looked up from her sewing 
'What wer that Mother? 
You Father...blumin useless' 
'Ay, suppose he was, didn't behave as if he wer though' 

Everyone accepted Douglas would retire to his 'study' the moment he arrived home after work. To do whatever it was he found to do in there. Only eating a meal or spending quality time with them on a Sunday. As a consequence he'd become more feared than loved.  He appeared to want to keep everyone at a distance, the paternal mystery man. Playing the aloof Edwardian patriarch and the disciplinarian with a leather belt whenever it felt appropriate. Yet, apart from bringing in the money and being the sire of children, he was sod all use around the house. There were things he considered played no part in his role as Father, or as a man, however self serving that appeared now.

'Eeeee.......e wer gud wi is hands though, wurever they were involved in mekin.'

Dora spoke to herself fondly, without any hint of innuendo or irony.

Just as she'd started to feel the first bodily signs of declining energy, this had happened. She'd become the sole director and centre of a whirlwind of unending activity, of things needing to be done, money to be earned. She remembered the constant tiredness and concern. The weary weight of it lingered on now in her body, in the tenderness and creaking of her arthritic joints. She loved all her family, but there was the tattered remnant of bitterness still hanging out back to dry. It had taken a toll on her outlook on life.

When she'd first gone for the hearing tests they'd informed her of the many known causes of deafness. That most probably hers was inherited, a family disposition. She couldn't remember any of her family being deaf, not in middle age anyway. But then maybe, like her, they too had become expert at disguising it. Life up on the edge of the moors in the low granite cottage where she'd been born and brought up, was always physically cold. The family temperament as austere as the moors that surrounded them. They were never a close knit family, more the reverse. No one seemed to have much to say to anyone, even at the best of times. They were self contained, chapel stained through and through, each as silently morose company as carved gravestones. They could have all been deaf as a door post and nobody would have known.

'If thee has nowt useful to say, tha shoudn't speak on it' 

She'd heard her Father's voice speak that phrase, with the usual pseudo biblical inflection of the part-time Methodist lay preacher, countless times. Hearing it again echoing through her mind, accompanied by the usual finger waving reproof. If there'd been any love in that man, it had been driven out by the cold of a persistent north westerly wind.

The hearing loss occurred in both ears. Though progressing slowly at first, it was cumulative and mostly irretrievable by the time it was finally diagnosed and treated. Yet if the deafness was not a family legacy, then prolonged physical stress or a severe blow to the head were some of the other less palatable options. Half recollecting murky events from earlier life, she thought it best not to go there. 

Though if truth be told, Douglas too had not been averse to administering a well aimed clout or two, whenever his temper, the children, or her backchat got the better of him. His pride had proved to be a surprisingly fragile thing. She forgave him his failings now, she'd even forgiven him for dying. Forgiving helped when she had cause to miss his companionship. It would be far too convenient to lay blame at his unresponsive feet for her being deaf. Nothing could be done about any of that. She'd been widowed and become profoundly deaf. None of it was going to be removed by knowing of its cause.

Though not hearing absolutely everything sometimes had its advantages. Whenever Maureen was bustling round, trying to boss her into having yet another radio in the house, that she did not want. She had a practiced way of looking blankly or confused, sometimes deliberately choosing not to comprehend. Those radios she knew would be bought anyway, making her hearing aids whine and whistle wherever she went. 

'Ow many more did she blumin need? '

There was only so much blathering from her daughters and daughters in law that she could tolerate. Her sons and son in laws,? well, they fell all too conveniently into the cowardly tendency of the northern male - the stoical but unknowable silence. 

Dora had moments when she was really glad to be able to shut herself off completely. Pretend that she was listening, but really it all just floated over her head. Occasionally interjecting, but never entirely sure whether the topic of conversation had moved on or not. So she'd just throw in a comment, to test the water, as a way of letting them all know she was still there.

'well, mebay he should just gee up tryin and start afresh some weir else' 

If everyone looked puzzled or pretended to ignore what she said, then obviously she was way off  the current topic. She'd see Maureen's shoulders shudder from a chuckle, then loudly over enunciate the confirmation: 

'Mother... Weev moved on from... talkin... about r Ben'

Being left on her own could in many ways be easier, more manageable than company. There was always a conflict within her, feeling isolated and lonely on the one hand, or longing for the quieter stiller hours of the day, on the other. Those times when Maureen would go into town, or was out at work. Times when she could just sit in her armchair, not have to worry about what she had or had not heard, or trying to make herself understood, she could commune with the flames in the fireplace for hours if she wanted.

On the better days, she'd sense a change in the air quality.  The fire would briefly bring smoke into the room, as if someone had just come in the back door. Then there would be the recognisable form and mass of her husband approaching. Quietly slipping into the back room for a chat, with an appreciative -

'Hello Luv'

On this evening of her seventieth, all the family having now departed, Maureen was upstairs sorting out photos humming along to one of her blessed radios. Then she heard the familiar tones of his voice in the doorway saying -

'Happy Birthday Dora'

As he emerged from the kitchen into the back room, her attention skipped to alert in an echo of younger love. There he was. Douglas, visibly sitting down in front of her, smiling with àll the warmth in his eyes she remembered from long ago. He rarely said more than his opening greeting. Yet without even opening her mouth she could give him an uninterrupted catch up on how his daughters and sons were doing, all the up to date family gossip. Mind to mind like.

Sunday, December 13, 2020

FAMILY FRAGMENTS - Maureen Fills Another Photo Album

The following short story had its beginnings in a recollection of the bizarre and frequently hilarious photo albums that one of my Aunts would make. This forms the nucleus of truth from which my imagination has freely deviated and run with, taking it in unexpected directions. The result is almost an entirely fictitious tale. Only I know the bits that have some truth to them.  I hope you enjoy it.










Am I happy? was a question Maureen rarely left open long enough to respond to. As she spread out the latest batch of photographs picked up from the chemists, she was quick to divert her attention away from wading into any residual pools of sadness. Firmly reasserting that it had been such an enjoyable coach tour with her best friend Ida. Great weather in Cornwall, far better than last year. But then,the very next moment, she picked up one photo and with a pair of scissors aggressively lopped off the half blurred gentleman shown just to the right of her. Maureen was taken aback by the abruptness. But then, feelings, memories, photos themselves, always had the potential to divert ones attention.

There'd been no pause to consider whether or not to leave the gentleman in. The impulse to chop arose from the distortion in the man's face, that self-pitying beseeching look to his eyes. As if he knew a form of death voodoo was nearby, to be delivered by a pair of dinky blue handled pinking sheers, that had once come free with The People's Friend.

Having so brusquely snipped it off she picked the fragment up again.  Did she know him? Was he one of their coach party? That quiet man who always sat on his own at the back of the coach or disconsolately played with his bacon at breakfast in the B&B. Tall, Brylcreem, back combed hair, walking stick seat, slightly abraded cord jacket. By the time she came back to herself, a largely fictitious narrative had been conjured out of one smudgy snippet from a photograph. Whoever he was, she felt a pang of regret. Censoring her photographs was just not the done thing.

She persisted with the musing. There was always 'the quiet single man' on coach excursions. Kept themselves to themselves, never said much, but you could usually extract from the tour rep that they were 'recently bereaved'. Hardly a wild guess, gentlemen who traveled alone on coach trips often were bereaved, or were, euphemistically speaking - 'light on their feet', sometimes both. Coach travelling being predominantly the mode for ladies of a mature age, accompanied by a female companion, also sympathetically bereaved. Single men stuck out.

Though Maureen had lost her Mother barely a year or two ago, her reasons for taking coach trip holidays had always been quite practical. When Mother had been alive, they had briefly taken her out of the narrow confines of a chronically deaf nonagenarian's world view. Her regular travel companion, Ida, was a close friend and old work colleague. It was a friendship largely forged around their shared spinsterhood and, once retired, a mutual desire to travel. They'd both worked out how to make going on holiday as a single woman work, in a world that penalised you financially for travelling alone. Travel together and share a room. 

By the time your bosoms sagged and a colour rinse became essential, no one made anything of two women travelling together. It was as though society was certain that once a woman passed the menopause, the need for physical intimacy completely vanished. That all one needed from life then on, was the frisson of conspicuous pampering. 

She continued rustling through the remaining photos on the low coffee table. Here was where the joy lay for her, in the composition. Contriving an artifice, a sequence of pleasant recollections, and to then make that feel casual and spontaneous. Emotionally the essence of a holiday experience was relived through the laying out, shaping, sorting and, very importantly, the labeling of her snaps. Apt ways to encapsulate in one brief sentence something perhaps not quite captured by the image. If indeed there was an image at all.

Over the years she'd become resigned to her camera's occasional malfunctioning  There were venues where a small plastic point and press film camera would always take a dim view of the lack of light. Once processed and printed there would be a dark glossy rectangle with just the suggestion of a small vertical smudge centre left, that may have been Ida or herself smiling or pointing at something, also unidentifiable. 

If the photo was of Maureen then the fault would obviously be Ida's, who was forever putting her short fat fingers over the lens. A pithy sentence underneath would make that abundantly clear - 'those sausage fingers are not mine!' - 'it's too close for flash Ida' - ' Ida, the camera strap, it's over the lens.' Even if it was almost a totally blank picture it would say - 'there's a large organ near me on the left hand side' 'the flower festival in St Josephs was very colourful' ' I had a lovely ham sandwich in the cafe here'.   This was done without any sense of being archly ironic or tongue in cheek. It was simply to sketch a context into the overall visual darkness.

Most folk would have thrown these photographic failures away with a regretful sigh, but not Maureen. Everything means something, was a useful little phrase she'd picked up from the paper craft pages of a long forgotten magazine. It was shorthand for 'I don't know why this is here'. Her alignment with the spirit of wabi-sabi was completely unconscious. sticking into her albums every crashed exposure, shutter jamb, end of photo reel, and person or persons photographed only from the legs down - 'Everything looking ship shape down below'  What did it matter if they were over exposed - It was a very bright delightful day.'  The albums were a record of her travels, mishaps and all.

These short explanatory phrases attempted to make the calamitous nature if her photography, never exactly her fault. She frequently laced them with sarcasm about it being a reflection of her companions mood - ' It was Ida's time of the month again'  - 'do put your glasses on woman'  Ida was always the handy stooge. The snipped photo felt different, this continued to bemuse her, there was a reason to keep it. Somewhere in the backroom of her mind, a memory was currently peddling madly away from her.

Maureen never realised that when she proudly plonked the latest completed photo album on the knees of a family member, it produced in them an uneasy, if not sinking heart - 'my god, what appreciative response can I summon this time?' It wasn't that her photo albums were a glorious experience universally treasured. For some they were, but not quite in the way Maureen envisaged. For the regular visitor they were a too frequent and burdensome responsibility for even the most secretive of camp giggling.

A brief look around her small terraced house quickly revealed photo albums in plastic folders stuffed into every available nook and cranny. Rows and rows of them on bookshelves, packed in boxes in cupboards under stairs, large stacks left by armchairs on the lounge floor for casual perusal, dozens and dozens of them. In the kitchen and the bedroom we're other photo projects, as yet half finished. Works in progress were scattered across every available white melamine surface. For such tasks took time and consideration, with her Mother dead, the house, the space, and all the time in the world, were now her own. 

She put so much into them, they became like small house extensions to her equally diminutive physical frame, gradually building up to an encyclopedic length.  Her family thought her self-obsessed, teetering on the edge of narcissistic. Always ensuring it was her presence that was kept centre stage, either visually or in words. Never leaving authorship open to doubt. Maureen had turned herself singlehandedly into the curator and repository for her families history. Relishing the apocryphal tales in particular.  No one else knew the extent of how embellished, and hence unreliable, these were.

Then, there was a suggestive feeling of a particular individual. One previously hung just outside conscious reach. Recollections began to bubble, then they arrived in a series of photographic flashes - there was a male tour guide.....in Penzance....flirtatious... quite amusing.. well oiled patter... flattered... felt bashful.... well he was half my age!... the delight... in masculine attention... appreciative....... touched....beyond that.....the edge of....... something soft..... tender ..mournful...... an emptiness......devoid of intimacy...... unlovable.  Hold on, pull back, pull back, pull back, no no no no, this will not do, this will not happen. no wallowing Maureen! ........double warning.... exclamation marks...!! 

She shook her head violently as if these thoughts and the feelings accompanying them only resided in her hair. The ground could easily have collapsed from beneath the triumph she'd made of living happily alone, and fallen into that sticky tar pit where her loneliness presided. Even as she dabbed back a trickle of tears, she was re-constructing the firm emotional staircase up and out. There was no point in dwelling now on what had not happened in the past. None whatsoever.

Composure eventually restored, she could gaze equanimous at the out of focus gentleman with a calmer kinder self regard. Progressing swiftly on to the practical issue of the photographs restoration, how should she do that? She could hardly pretend the crimped edges didn't exist by butting the two pieces back together, that would be too much like a badly concealed toupee. Eventually settling upon permitting a thin meandering river of white paper to show between the two parts. 

Though this fully honoured 'the process' of its creation, something was still absent - the man's name. If she ever had known it, this refused to be unearthed from the fluster and bluster surrounding her melancholy. She wasn't venturing back into that. So she decided on this occasion to abandon her loyal allegiance to factual accuracy, and simply made one up. Drawing a dramatic arrow from outside the photo to right on the nose of the man's face, at the other end she wrote BRIAN! in blue Biro.  She always loved using exclamation marks, two or more if possible, with their pert suggestion of surprise. 

Her efforts concluded with the swiftly following breeze of a succinct title. Then having achieved satisfaction and a sense of closure, Maureen placed the completed album 'Penzance 1989' on the 'ready for viewing' pile. Beneath the now sensitively restored photo Maureen had written:-

'Oops!!!'


Written December 2020 by Stephen Lumb




Saturday, June 01, 2019

COTTONWOOD HOME ~ We're Open!

So we are finally open. Whilst we've been anxious in advance of experience about whether our stock would sell, it would appear we need not have exercised our worry muscles quite so assertively. The 1st of June was a hot day in Sheringham where most of the visitors headed for the beach, passing our now infamous sinkhole. All the other retailers in our courtyard said it was a quiet day as a result, but for our first day we felt it went really well. Though we didn't know what to expect, it exceeded our cautious expectations.  


I took these photographs at the end of the day just before we closed. We really did have customers honest, these weren't taken on slow exposure to eradicate all sign of human life, its just I didn't want to appear intrusive or inappropriate.

We've had lots of local people coming in just to see what the shop looks like and they've been very encouraging. Now we actually have a shop it brings renewed impetus to our making. Even when the shop is quiet we can still be knitting or crocheting something. There is a sense of something having lifted now we are no longer making items in a vacuum.

Jnanasalin 'a crocheting'

Lovely flowers from family

An offering of sweets and biscuits for our customers

The back of our window display

Jnanasalin closing our very high Velux 


COTTONWOOD SHOP REFIT ~ 4th Week ~ Countdown to Opening

FIVE
Our last day of shop fitting. Fixing up our feature display unit, card shelves and rack for wrapping paper. In a way its a bit of a relief to be finishing all this prep side, so tomorrow we can get on with the real business of a retail shop fit ~ the stock

FOUR
It took three car trips to get all the stock into the shop. Once we'd unpacked a few boxes you could hardly move for discarded packaging. For day one of merchandising we've done very well, the basic blocking of the stock layout has been completed.



We are beginning to get a sense of what works and doesn't work on our shelving. Less is more being generally the case here. We aren't high end but we're not bargain basement either. So giving stock enough space will be important for us to maintain.



THREE
It's obvious today that apart from cushions and the stock we've bought in, we have no back up stock for some items that we've made. One of our middle of the night anxieties about this retail venture is being able to make items fast enough to keep up with sales without sacrificing quality. But first we need to get a sense for what sells and how quickly. Still loads to be done. A window display, price labelling, setting up the till, jewellery stands to be made up, etc etc etc.














TWO
I spent the morning putting in the window display using our 'gansey styled' cushion range. The photographs don't quite capture how good it looks. Meanwhile Jnanasalin was setting up all the stock on the till system. After dinner I went home to do work in the workshop on frames for some lovely prints we have. I'm not a hugely confident framer, but I am very pleased with the quality of the results.
















ONE
Our last day before we open to the general public. Almost ready, just pricing and final tweaking, plus all those little things that support the running of a shop that don't surface until you are almost there, or actually open, and you realise you need a cleaning and tool kit etc. The pricing went quite smoothly, and brings that finishing touch to 'a shop'. We've done our best but not everything in the shop has the best sales position on this time around, but we'll get there.





It feels great to finally get everything that doesn't need to be there, not just off the floor, but returned to home. Its been quite testing to my equanimity when I'm in the workshop and realise the tool I need is in the shop, or vice versa. It goes without saying, that we're both very pleased with how the shop looks. We've had a lot of appreciative and encouraging comments in person and online. If we let go of our anxiety there is a certain excitable air that takes flight about how it all will go on the 1st June, my god that's tomorrow.


Everything packed & ready to go home




Saturday, May 25, 2019

COTTONWOOD SHOP REFIT ~ 3rd Week ~ A Shop Taking Form

After making the shop fit for purpose, comes the shop fittings. Lets just say a lot of unpacking and assembling has gone on.  We've both passed our IKEA Assembly Proficiency Level 4, so we found these relatively straight forward. The Till Counter arrived, followed on successive days by shelving and our signage created and installed by Graphic Edge. The shop has limited space for storage, so we've bought IKEA storage units. Always impressed by the ingenious nature of flat pack assembly. These ones required no bolts or locking devices and were simply pressed together in a matter of minutes

















Signage being installed


























'The Monolith' is no more. After the agony entailed in my making it fast became redundant once we re-thought our floor layout. All the messy meters, switches and wires are now hidden behind a 7ft high hinged door that we made, covered in a piece of stunning Scion fabric that we picked up in Matlock Bath for less than a third the RRP. Result.

By the end of next week we'll be open for business. We're already a bit nervous about how the things we've made will all go down in Sheringham, but lets just wait and see.

Friday, May 17, 2019

COTTONWOOD SHOP REFIT ~ 2nd Week ~ Grafting Requires Persistence

Week Two started with us a few days ahead of the planned schedule. Painting the walls with Farrow & Ball Pavilion Grey No242 began to give a better feel for the shop as a space. The interior paintwork has a fiddly detailed door and window structure, proving quite a job and a half. Endeavouring to cover its dark green paintwork required two coats of undercoat before glossing could even commence. We laid laminate flooring in and under the window. Lighting strips were installed for us. All bar one of our orders placed in Harrogate arrived and they all look as good as we remembered. I made a cover to hide some rather ugly meters which is now referred to as 'The Monolith'. Its been hard graft after hard graft, with us sleep deprived but indominatable. We finished the week with a day of clearing up and cleaning as next week the shop fittings start arriving. Woo woo!














































Blue masking removed from windows

Stage One
Stage Two

Stage Three



















The Monolith

Tuesday, May 07, 2019

COTTONWOOD SHOP REFIT - 1st Week ~ The Removal of Ghastly Things

The refit of our new shop in The Courtyard, Sheringham is progressing well. We are ahead of our planned timescale. We started painting walls at the end of last week before the May Bank Holiday. After removing dozens of raw plugs, filling in the holes and removing a ghastly strip of wallpaper, we have spent ages getting the walls to be an even tone of white. Plus acquiring neck ache.










Colour swatch for new wall colour

Saturday, April 26, 2014

PROJECTS 2014 ~ Larger Pieces

Developing on from those smaller random colour selection studies, I created these two larger pieces on my Art Retreat, which I'm quite pleased with how they turned out.

A Bright Response

Going At Tangents




PROJECTS 2014 ~ Development of a random colour experiment