Tuesday, July 07, 2026
FINISHED READING - Don't Forget We're Here Forever by Lamorna Ash
Monday, July 06, 2026
ARTICLE - Malcolm Guite - Talking About The Imagination
Malcolm Guite is a poet, singer song writer, Anglican priest and academic. He is also one of humanity's natural enthusiasts, and even if you're unable to fully align with his religious perspective, you can find yourself being swept up in the sheer verve and lively momentum of his conversation. He has an unusual and engaging presence. Plus a phenomenal memory for poetry to boot.
In a hour long conversation available online (a link to which is at the bottom of this transcript) he recounts the influence of his Mother reciting poetry at the drop of what, his own appreciation for Tolkien, C.S.Lewis, folk tales, and of his new ballad rendering of the Arthurian legend. He also talks beautifully, with great clarity about what the imaginations role in human creativity is. Here are a few salient extracts from that conversation on this subject matter, which I have judiciously edited where I felt necessary for improved comprehension.
"The world itself is a language."
"We have been so busy weighing and measuring (things) for the last three hundred years, we've forgotten what they mean."
" You could say your whole life could be seen as a slowly evolving poem.... You are God's poem."
"We live in a world where all kinds of analogies, parables, symbols and metaphors are naturally and richly available to us. But there is a reason why that rational analytical mind doesn't get how to do that, it can't make that leap. That is the imaginations business. The imagination is precisely to see the thing out there, and recognise that the visible thing out there, is more than itself. That it provides you with an image through which to think about what is in here ( in us)."
"The imagination is the faculty by which we apprehend meaning, not just information."
"How do we get from apprehension to comprehension, of things that are true, but not divisible or a weighable part of the material realm? We have been used to seeing the imagination as something that just makes stuff up. It's some airy fairy little whimsy of our own, that has no purchase on reality, as it really is.
And it is true we can make up things that have no purchase on reality. But it's also equally true that when we tell stories, when we paint pictures, when we write poems, we can create a verbal or visible form which embodies, which bodies forth things we need to know, and might not be able to know in any other way.
In fact, the idea that the poetic imagination enables a certain kind of knowledge, that it is a truth bearing faculty is clear when Shakespeare says 'imagination bodies forth things unknown.' They are there, they are real, but they are unknown to us, and we only faintly apprehend them."
"Essentially, when we read a great poem or look at a great painting, its as though things half known or reached after or faintly apprehended have suddenly come and made a home in this place. You walk through the door of the poem into the local habitation of the poem, and you meet them."
FINISHED READING - The Emperor of Gladness
Sunday, July 05, 2026
2026 PLAYLIST No 15 - Simply Are by Arto Lindsay
Wednesday, July 01, 2026
RISING UP MY DUCK PILE - July 2026
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Currently Reading
I've read a few books on the masculinity crisis written from a male perspective. I came across this book by the famous feminist Bell Hooks. So far I'm quite impressed with the depth of her understanding. Her central theme is that men do not understand, and are often running away from the full capacity of their ability to love. Afraid of discovering and hence allowing themselves to love being who they actually are.
The Book Hive - Norwich

Came across David Graber through an interview with his frequent collaborator David Wengrow. Graber who died in 2020 was a social anthropologist and anarchistic thinker out of all the usual boxes. And I was intrigued enough to want to read something by him. This is a collection of essays on a variety of subject matters.
The Book Hive - Aylsham

I saw her being interviewed on The Sacred podcast, and thought she seemed really open and frank in her investigative writing. Here she is examining what a new generation of young people might be seeking from religion. That in the end became her own journey of discovery.
The Book Hove - Aylsham
SHERINGHAM DIARY No 141 - Audible Battering
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| The revamped shrine backdrop |
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| An old piece now painted |
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| A new piece of artworks |

Sunday, June 28, 2026
ART N AB ART - On Balance - Anglia Textile Works - Handa Gallery Wells Maltings
These much loved collective of textile artists, are one of my favourite exhibitions to visit in any year. They are so full of innovative inspiring work. Usually at Salthouse Church, this year they are relocated to the more municipal gallery space in Wells Maltings. This conventional hanging space, does bring to it a more coherent feeling for an artist's approach and working method. Also, having seen an artist's work one year, you can see by the following year where they have taken ideas only in early germination the last time you saw them. For example, Hannah Rae last year had just started covering small blocks in layers of coloured stitching. This year this technique has been applied to wall hangings and more amorphous padded shapes.
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| Hannah Rae |
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| Hannah Rae |
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| Annette Morgan |
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| Annette Morgan |
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| Claire Spender |
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| Claire Spender |
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| Claire Spender |
This type of art display favours some artists work more than others. So rectilinear artworks by Annette Morgan's panels and hangings, Niki Chandler's precise geometric abstracts and Cherry Vernon- Harcourt's dyed cloth with embroidered horizon detailing, Irena Willmott's subtle abstract grids, zing in the Handa Gallery space. Hannah Rae's sculptural forms, Clarke Spender's hand embellished found objects and natural forms and Heidi McEvoy-Swift's unfolding natural forms, shift from wall reliefs to sculpture on plinths, in a multiplicity of forms, these can feel less striking, even when they most certainly are.
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| Niki Chandler |
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| Heidi McEvoy-Swift |
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| Heidi McEvoy-Swift |
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| Heidi McEvoy-Swift |
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| Cherry Vernon-Harcourt |
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| Cherry Vernon Harcourt |
All these artist's work have something that rewards closer inspection and reflection. I have once again come away with lots of my own ideas arising from the different techniques on display here, that can be added to my own bag of artistic bag of tricks to draw from. Anglia Textile Works
Saturday, June 27, 2026
FEATURE - Jared Henderson - The New Luddites
Jared Henderson -The New Luddites
As ever, I find Jared Henderson's mind and way of approaching a topic very refreshing. Here in this video he is exploring the whole idea of The New Luddites, what the original Luddites were fighting against, what is good and bad about this resurgent approach now. And trying to tease out a way of assessing technology, what makes a technology good or bad? Is it unhelpful to present only black and white solutions? He also gives his sceptical review of Paul Kingsnorth's book Against The Machine. Describing some of his ideas as so unclear and vague about their limitations and consequences, to the point of being dangerous. He leaves us with a check list of questions that he asks himself before adopting any technology into his life. And I guess the answers to these will be different for everyone, and we may find we have other things to consider than these four. But they are a great place to start the enquiry.
1) Does this technology expand or contract the realm of human freedom? (because I only want to use technology that help us live freer lives)
2) Does this technology contribute to human flourishing?
3) Does it make it easier to pursue human projects and live in accordance with your values?
4) Is this piece of technology primarily a way for other people to get rich or powerful off your attention?



















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