Monday, January 17, 2022

FINISHED READING - The Housekeeper & The Professor by Yoko Ogawa












Though published relatively recently in 2003 Yoko Ogawa's book is being republished as a companion for four other books by Japanese authors. Each different in subject matter, either capture aspects of the period when they were written in, or represent innovations in the development of the Japanese novel. There are works by Murakami,1994, Mishima 1963, Tanizaki 1936 and Kirino 1997 published by Vintage in there Japan Classics Series. Ogawa is one of a new generation of female writers that started to emerge in the last decades of the twentieth century.

The Housekeeper & The Professor is an example of a particular form of contemporary Japanese novel, where a touching relationship develops between two people from entirely different classes of society. Brought together despite odd circumstances and the evident impediment of eccentricity. Another novel similarly written in this style from 2001 is Hiromi Kawakami's Strange Weather in Tokyo.

Here we have The Professor, a mathematics genius, who, due to a car collision many years ago, has lost most of his ability to remember the present day short term details. He can only hold things for about eighty minutes before these slip away from recollection. Everyone who comes to know him has to deal with daily having to reintroduce themselves to him. The Professor wears an old bedraggled suit with numerous notes and pictures pinned to it. To help remind or prompt him to recollect.

The Housekeeper is employed through her agency to do just that, look after the house and The Professor's general wellbeing. There have been many housekeepers previous who have not been able to hack the job for long. It can be repetitive and taxing to ones patience. This particular housekeeper, however, starts to actively engage with the Professor through his primary means of communication, mathematics and analysis of statistics. The Housekeeper has a son, who The Professor calls Root, because of the shape of his head. Both become increasingly fond of the Professor, his eccentricities, his love of maths and begin to plan events and trips to broaden what he can experience every day.

This novel, like many contemporary Japanese novels, has no great dramatic story arc. It simply opens a window onto a strange world and unusual relationship. Ogawa's writing, whilst very modern in its choice of  subject matter, bears a style that is the epitome of the classic Japanese novel. An unfussy clean use of grammar and sentence structure, with no extraneous words or literary flourishes. Little by way of lengthy exposition or description. The writing, though economical, contains sufficient information to communicate feeling or move the story on. Extensive use of internal dialogue or cathartic emoting isn't employed, passions are kept distinctly low key and restrained. 

Despite this contained form, one is gently led into a world and atmosphere that you can identify with and feel for. Though we are never told who the Housekeeper, Professor or Root are, what their real names might be, they are not ciphers. Its a quintessentially human story, composed with a light touch and sense of care for the integrity of her characters. A study in how you connect with another person's world and viewpoint  However remote, or from a different class, culture or life experience they may seem. No one is that cut off that their humanity cannot be still reached on some level, in small yet significant ways.

Without trying too hard to impress, Ogawa's novel does, nonetheless, do so.


CARROT REVIEW - 6/8



Friday, January 14, 2022

EPISODE 2 Curtains My Dear, Curtains










There Is An Art To Choosing When You're Drunk

Rarely did she resist the temptation to be extremely rude to shop assistants. It was her default mode of engagement.  If anything, being confronted by a passive aggressive woman provoked Julia far more than any amount of male condescension. 'Mansplaining' was easily dealt with, you corrected very loudly and publicly humiliated him. That the strength of her reactions was mostly uncalled for, never crossed her mind. On this occasion, she'd been distracted by the allure coming off the folder of fabric designs, they were so temptingly......delectable.

Each design was an uber clever patternated repetition of eyes, coming in a variety of colour-ways, sourced from photos, paintings or carvings. There were open or closed eyes - celebrity eyes, surrealist eyes, eyes with macular degeneration, bloody eyes undergoing surgery, Turkish eyes, the eye of Horus, alchemical eyes, masonic eyes, stone cut eyes, the eyes of pigs, sheep or birds. Anything with bulbous bulging orbs from an ebony faced Spanish Madonna to Bette Davis and really mad looking dolls. An eclectic collection then. 

She felt unexpectedly spoilt at being in receipt of so many quality designed fabrics. Turning to Ms Treadwell she spoke curtly, more by way of instruction than request.

'I'll be taking these home, and return them.... probably....whenever. Something here may do, but I need to consider at my leisure. If I do want one, how long until you'll have the fabric in?

' As its a new company for us, that can sometimes take up to a couple of weeks. Are you going to make them up yourself, or commission us to do that for you?

Julia had a brief flashback of herself sewing. All the painful previous attempts having been unmitigated disasters, reducing her to ripping up or burning the fabric ritually in an out door brazier. So she said:-

'Oh, God no, you can do all that' 

A flick of the hand conveying the depth of her disdain for manual work. She turned exiting the shop with all the brisk she could summon. Glancing at the fabric folder gripped tightly in her lace gloved hands. One of these beauties.........may be - The One.

'This will certainly require a deep communion with Simone'

Accompanied by a glass of prosecco, or two.  A quick nip to the off-licence. Essential.

By the time she reached home, the paper bag containing the four large bottles of La Marca was on the point of rupture. Having carefully clutched them to her breasts all the way back. Fumbling in the pockets of her scarlet culottes for the door key almost caused a major catastrophe. On bending down to rest the bottles and bag on the door step, the side gusset of the bag tore. Bottles tinkled out.  One, bounced off the top step miraculously remaining intact. Had it not been for a nifty piece of footwork by Julia, effectively blocking any further forward rolling, a waterfall of prosecco froth would have cascaded down the front steps. Alerting every neighbour's 'twitch and tut' to the advanced state if her alcoholism.

Nerves rattled, a visibly strained Julia shuffled through her classically proportioned eighteenth century entrance hallway. Ungainly wobbling in the general direction of the front room. The bottles still cradled like new born puppies in constant peril. Once the fabric folder, held in her claw like grip, was released to the armchair, then the bottles could be safely deposited. Deftly arranged in a skittle formation on the rectangular solid block of glass that was her coffee table.

'Oh. Simone, I'm home, I need your advice my love, come on down please.'

Furniture roughly pushed aside. The hefty folder opened. Contents fanned across the carpet. The A4 samples failed to show them off to their best. More fertile imaginative skills would be required. 

'Simone dear, hurry up, I need some advice from my oracle and goddess'

Stomping around the marble floor in her retro platforms. She frustratedly riffled in the sideboard cupboard. The 'champerz' glasses were in there somewhere. Having excavated two, she put them on the blood red mantelpiece. These would be the lure, the invitation for 'a divine visitation'.  Julia enjoyed elaborating rituals to lead up to role playing, in this case it was - let's pretend we have a friend at home. All part of the 'mise en scene' whenever major aesthetic decisions were to take place. Her 'aesthetic consultant' she'd named Simone, long ago forgetting why, or who. Was it Nina? De Beaviour? Did she care? No!

Open a bottle, fill the glass to the brim, knock it back as though it were tonic water. Then another and another in rapid succession. Once she was actually fully in the vicinity of rat arsed, only then could she begin channelling Simone. A deeper husky voice emerging from her freshly slackened larynx.

'So, what do you want my sweet sweet bitch?'

The character of Simone had developed over time, till now she was this larger than life, spirited being, unashamedly speaking truth to Julia's stern dominatrix.  The persona somewhat resembled a drag version of Julia. Instability in the vocal delivery department, meant it veered back and forth between Danny La Rue and Mama Ru.

' Hello Simone. Well, what do you think of these? Funky eh?

'Great visually.  Quite powerful. These could dominate your life, let alone a room. Don't mess with these babies, leave them well alone, hun'

'You're sounding a bit freaked my dearest doom eyed one. Aren't you just a little taken with this one, the iridescent teal, it would zing next to the yellow cabinet. Not sure whose eye it is. A zombie Mother Theresa? It follows you around the room like a predator...or maybe thats the prozzo ?'

'Those eyes remind me of Damian le Ronde, that wallpaper designer you had the randy hots for a while back. Leary, far too willing to cross personal boundaries. Basically eyes, hands, everywhere. Didn't understand no' 

'How could I have ever lived with that. Those eyes soooo penetrating .......undressing you. Such a mean stare ......as if jealously scanning you for illegal substances at Gatwick. He was a close call you saved me from, my love'

'Thank you....so maybe consider this rouge red one, the heavy bagged bloodshot eyes..... dramatic.......Argento....ish.  Art shlock, its a current sub trend, so I hear'

' Is that what it is? I don't know.....Goth.... its a bit prepubescent teenager... for contrived Instagram depressives only.  I prefer graphic expressionistic splodges, wildly thrown dots and dashes..... Oh, what about this one, as a comprise?'

Julia held up a sheet that looked velvety, with dappled sour yellows and blue veined purples. Slarts of filigree gold, glinted calligraphically in rough suggestion of an eye, surrounded by the cosmic swirl of a deeply bruised eye socket. The after effect of being hit by a fist.  Now woozy and unsteady on her feet, Julia started to prance and circle intensively round and round, dervish like. Until she wanted, and then did vomit. Bar the purple one in her hand, none of the other fabric samples remained untouched. Upon falling into a nearby armchair, she muttered:

'Well, I think that's the selection process finished. We've decided Simone.  Its this one. Whatever it's called'

Julia peered at the label with one eye closed, as if that would sharpen her drunken focus. No 679 -  Malevolent Punch

'You can do better than that. Julia, pu..leese, don't be this trivial'

'I've puked, what more do you want?


Curtains My Dear, Curtains
EPISODE 3 - The Way Of Ordering Gets A Bit Tricky

Will be posted Friday 21st January 2022


Monday, January 10, 2022

LISTENING TO - Yard Act

Just when you think a northern post punk guitar based outfit had become an irrelevant thing of the past, up pop Yard Act. Wearing his antecedents like badges of honour, Yard Act's front man James Smith conjures up his own uniquely brilliant way with words. Cuttingly satirical whilst beaming up this knowing wink to cheer your heart. Its probably not without some significance that an earlier band Smith was in was called Post War Glamour Girls, in many ways John Cooper Clarke is his closest comparison and influence. With a heavy dose of Alex Turner's observational accuracy that made Arctic Monkeys such a breath of fresh air. Yard Act hold a similar potential.

You can hear echoes of Mark E Smith's invective but without the weird otherworldly lyrics, that meant you never really understood what the hell he was on about. The world James Smith describes is a very recognisable one, mythologised and heightened for parodic effect. His songs, like small stories, character studies even. The best example being Fixer Upper, where the central first person narrative is spoken by Graham. He's a builder who does up old houses and sells them on. Employing cheap Polish labour, who he doesn't pay on time. Made a lot of money and boasts about his two homes and the trashy wealthy vulgarity he owns.

Fixer Upper - lyrics

Hello there! I got a letter in the post
Addressed to the previous owner
I don't know how to pronounce their name
I don't think they were from round here, you know
Well, I just moved into the area, yeah
That big old thing over the road
It's a fixer upper though, it's a fixer upper so
We're gonna put poundshop terracotta frogs everywhere
And wrap solar power fairy lights round the gutter
I got a prosecco o'clock poster half price in Ikea
It goes nicely with the existential fear that I feel
When I accidentally wonder
What I'm really doing here
And how long I've got left before I'm six feet under
I can't believe I'm a two homeowner
(Finally!) Can't believe I'm a two homeowner
I've finally got a nice little drive to call my own
I got off street parking for the rover
It's a fixer upper though, yeah, no, not the rover, the rover's golden
I'm talking about that big old thing over the road
Yeah that big old thing over the road!
We're gonna knock through the kitchen wall though
Even though it's grade two Tudor architecture
But we're gonna absolutely ruin it
All alright? We can't stand old shite!

It's a fixer upper! It's a fixer upper!
It's a fixer upper! It's a fixer upper!

Anyway, this letter, I'll just post it back 'return to sender'
Unless you know him, I think...
I think he's called Mr. J Konopinski...?
Oh no wait, that's not an M that's a D
Dr J. Konopinski, do you know him?
Sounds a bit Russian to me... Oh! Polish, I see
And he had a PhD did he? What in?
Probably one of those pointless media degrees, not for me
University of life ya see, I got thick skin
School of hard knocks, gonna knock through that wall on Tuesday
Just in case you or the wife are gonna be in

It's a fixer upper! It's a fixer upper!
It's a fixer upper! It's a fixer upper!

Alright mate, sorry about the commotion yesterday
The bloody builders are refusing to finish the job until I pay 'em
But I told 'em, no one pulls a fast one on Graham
I'm Graham by the way, don't know if I mentioned
I told 'em, I'm not made of money, you're having a laugh
Two homes and a rover, comes from hard graft
I'm not minted, I earnt it
It's not some funny voodoo business
I didn't walk on gilded splinters
To make the dent I did in under a year
I earnt it, In case you're wondering
And as for the builders...
Yeah they're Polish
I'm not bothered about that like
But where you come from, it says a lot about a man
And I'm not from round here, but I am
Also they won't take cash in hand
What's with that? Maybe they wouldn't need the money so bloody fast
If they weren't willingly giving it all to the tax man
You take what you can get where I'm from
And I'm not from round here, but I am

I'm Graham by the way
(Hey Graham)
I'm Graham
I'm Graham

Yard Act are based in Leeds, but have not been on the scene that long. They are another band for whom word of mouth has spread fast. So now they are caught by the music media spotlight. With only a handful of gigs and a four track EP Dark Days to go on. A full album emerges this month entitled The Overload. Plus finally a bit of money for videos. A stand out track released in advance of the album is Rich, fun and affectionate ribbing of its subject matter, whilst also being a wry commentary on our attitude to people who have lots of money. Smith contrasts this via various working class archetypes holding up a fifty pence piece. Yes, its not just the millionaires, we all have a very skewed ideas about what true wealth is. 

Though the lyrics are what most hold your attention its important that I mention the music too. This never rests in one style for long. One track a noise infused racket, another sounds more like a cheesy working men's club backing band. But nonetheless it propels the tracks along in a tense high gear. I can see them becoming popular, But I can also see them becoming a bit of a one trick pony, with only a novelty single or a cover to pin their fame to. Enjoy their early flourishing while it lasts.


SHERINGHAM DIARY No 56 - Two Donkey Moon


I viewed an online lecture by the historian/archaeologist Chris Naunton recently - on Tutankhamun - In Life, Death & Eternal Afterlife. I've watched a few of his lectures to pass the time in the bleak quiet hours in the shop. Always packed full of interesting facts and rare details that I've certainly never heard before. He invariably overruns, quite spectacularly. Apologising profusely every time at the end. I don't think anyone minds greatly, at least no more than him. It kinda makes you warm to his generous enthusiasm to connect getting the better of him, yet again.

I put subtitles on during online lectures, simply because either my hearing or the audio can get flaky. Auto- generated subtitles are one of the unexpected joys born of the internet. Bizzare fascinating misinterpretations of ordinary words and manglings of grammar or syntax. Rarely does it mishear the same way twice. On Nauton's lecture a great deal of inventive translation of the name Tutankhamun took place. My favourite being, what would've be a really great name for an late sixties psychedelic folk rock band - Two Donkey Moon.









December? well that was a very testing month in the shop, wasn't it boys?. Beginning extremely well, but the moment Mr Bungle reintroduced restrictions, everyone went into hibernation. We had an appalling sequence of bad days takings until Mr Bungle hurriedly reassured us - no further restrictions before Christmas. Christmas was not cancelled. Things improved moderately, producing a steady and heartening final week leading up to Christmas and New Years Eve.

In the end December was up by about a quarter on last year, which sounds spectacular. But last years trade in the run up to Christmas was supressed by uncertainty over whether there would even be a Christmas. Instead we had Mr Bungle's last minute contraction from five days to one day of festivities. Lets just say we recovered well. Our Christmas trade, one suspects, could have been even better had there not been a hiatus hernia hanging over it. Each of our first three Christmas periods has been affected by circumstances beyond our control - an upcoming General Election, lock downs or increased restrictions. One year, just one year, it will be completely straightforward. Though I am not holding my breath.

We had three lovely days of Christmas at home just the two of us, the usual homemade nut roasts, gravy, puddings, cakes. Such preparations made a little more last minute than usual. After that we drove over in Barbara for three days of with Jnanasalin's family in Nottingham. Huge amounts of carbohydrate rich food was had by all.  By the time we returned home both of us had put on an amount of weight, unmentionable in this post.



Never mind, the new swimming pool in Sheringham - The Reef - opened before Christmas. So I've re-started my regular swims twice a week. I am quite a few breast strokes short of being fit. But after two and a half years without swimming I'm gradually getting my stamina back. The new pool has fabulous modern facilities, its quite a step up from The Splash that preceded it, which had become really scuzzy and unfit for purpose. It took a lot longer to re-open than originally planned, originally due before the Summer last year, then postponed to August. But Brexit shortages of materials and import delays delayed this. Add in the usual pandemic impediments its a miracle it happened in December. Now I'm just crossing my fingers that no future changes in Covid restrictions force it to temporarily close its neat little swim lanes.



Whilst watching the recent Grayson Perry's Art Club about the exhibition in Bristol of its art club contributors, I was interested in the work of one artist who made shrine artworks. I thought, I could do that, make small shrines, to anything and everything. It could be a great way to explore issues, devotional or otherwise, to have a new creative outlet to explore.









I've started by building a mock up of a shrine out of cardboard to contain a small resin figurine of Our Lady of Walsingham. Working out what the general architectural structure will be like, and have a few ideas how I might like to decorate it in the back of my mind. Christmas has interrupted my flow. But I'll return to it soon enough, if patience and time will be mine.









So 2022 - what will that turn out to be like?  Jnanasalin and I are looking forward to taking a break during January/February. He's going a solitary and I'm going to try practicing a more ascetic way of staying at home. Either side of this there is some tax returning to finalise and send, making prep to be done, a review of our website, planning new lines and suppliers to introduce, and some fresh fabrics for the spring to source. The latter necessitates a jaunt northwards along the A -line motorways to Lincoln and Stamford for a couple of days, to visit two fabulous fabric shops in two of our favourite towns. Yippee!

Fassbinder as Fox









Fassbinder Film Club continues. The 1975 film -  Fox & His Friends, is an extremely sad film that, even without knowing Fassbinder's doom ridden back catalogue, telegraphs way ahead the fatal ending for its naif central character. Fassbinder himself plays Fox with both great physical charm, and an endearing trust and innocence. Utilising his own far from passing resemblance to 'a bit of rough'. For Fox is a gay man who has on occasions had to work the streets for a living. Then he wins a huge amount of money in a lottery and falls in love with a rich businessman. Life has suddenly given him everything he'd ever hoped for. 

However, the businessman lover is in a tight spot financially with his family owned business. He hooks up with Fox, simply in order to funnel Fox's money into supporting his expensive lifestyle and keeping his failing business afloat. Too late Fox has to face what's really going on. Eventually found dead of a drug overdose in the underground. Being robbed by young children of the last money he has left in his jacket  pocket of his lottery winnings. 

Fassbinder here is at his most Brechtian as a film maker. Championing the outsider, the downtrodden, the maginalised, isolated and maligned. In Fox & His Friends the moral is very clearly being laid out before you - that any working class person is inevitably ripped off by the capitalist system that will always promise them the world. 




I am going to be 65 in June this year.  I've had a series of communications from pension providers about pensions that finish this year, if I want them to. I have to decide what exactly to do. Its prompted that New Year desire to sort out a few things that I have been endlessly prevaricating over. First, going through my files of paperwork and having a clear out. My bike needs servicing. I need a new pair of glasses. Oh, the list its getting longer and could turn quite inhibiting and weighty, so let's take this one small step at a time shall we Stee-V.






Friday, January 07, 2022

EPISODE 1 Curtains My Dear, Curtains










A Fabric Project Prompts A Visit To A Haberdashers

When Julia woke up at the crack of dawn, she already had her mind set on one aim for this bright, as yet unsullied, day - new curtains. Mentally punching the air - Yes! - a brilliant fabric for the front room. It wasn't that the present occupants were worn or in need of a quick dry clean. She was just bored by them. They'd been installed for six months or so and all the novelty had really worn off. They should be gone, and gone soon. What was wrong with them? Unclear. But it was somewhere in the area of Waffled Apricot not really making a sufficiently notable enough design statement.

Now she'd envisaged this tantalising prospect, the hunt needed planning for. Where to source that soon to be delicious fabric? She imagined she'd start off at Randall's, because you had to begin somewhere. But she preferred to shop local anyway, because of the greater opportunities to cause outrage it provided. So much easier in a village than in a town, where everyone professed not to care what you did. Her surname in Brimmingham, however, had become a rude word on the street. Notorious enough for all local shop assistants to know where she lived, and be able to recite the address off by heart.  

'Lets give the family run haberdashers a chance before casting the net wider, or to the 'net', shall we?'

However, she held out little or no hope of finding anything suitable. It had never happened before. Randall's staid fabric range she'd once described to their face as - 'a capital IT prefaced by a large SH.' Of course they knew their local market; ultra conventional and conservative. The type of people to whom a boldly sculpted damask was as racy as it got. Even if this were to be executed with a degree of heightened irony, it was simply not the emphasis she was seeking to embolden here.

One look at her front room would tell you why. She'd not deign to line even her knicker drawer with a twee chintz. To say the senses were challenged by her interiors would be to downplay the effect. Provoked, assaulted or blinded were nearer. Colours and patterns did not so much riot, but raged. Crudely mustered in a fully fledged war. Explosions of expressionistic splashes spreading artfully across a sofa, fought a battle for supremacy with a wallpaper marshalled with stripes, and the jazzed up rectilinear design of the carpet.  The constant visual jitterbug,  generating an optical disturbance worthy of Bridget Riley.

Julia absolutely loved it, so certain was she that it was unique. No one else could pull off such a bravura use of ocular excess. She was very surprised no one had contacted her to do a Sunday magazine photo shoot on it yet. Having sent  pictures and info to a old school acquaintance at the The Telegraph.... several times. 

'Note to self - you'll have to badger the bugger - phone them!

There were no places of peace and serenity to contrast against the actively strident surroundings. Julia thought those served no useful aesthetic purpose at all. That was the source of her discontent with the existing curtains, they were far too meek. Just not working hard enough. Without needing to read anything on the subject, she'd instinctively grasped the ethos of 'maximalist' design, and gone way way beyond.

Minimalism, not without some justification she believed, had become too all pervasive these days. It was up there with flock wallpaper as an interior design tragedy. Stripped of character, individuality or soul, it was now the default choice for every empty headed, clueless thirty something who wanted to appear effortlessly modern. With the emphasis being on effortless. It was lazy. Any propensity to be cutting edge well and truly blunted by being over a century too late.  

Julia preferred totemic collisions to tastefully coordinated beige, off white or tonal grey ensembles. As she sat pertly in bed planning the splendid day ahead, emblazoned across Julia's baggy Day Glo Orange night shirt, and picked out in blobby sequined letters for added emphasis, was the phrase - 

' Kelly Hoppen, can go fuck herself'!' - 

Once up and dressed she hurriedly left her house and turned the corner. Two streets further down she swiveled left. Half way up, the flaking Sanderson's paintwork of the late Georgian bay windows of Randall's came into view. Her expectations remained low. The assistant Ms Treadwell stood impassive behind the polished mahogany counter. Greeting Julia with the practiced blank visage of understated politeness. She smiled weakly, whilst inwardly her heart was sinking 

'Why did it have to be me? Why her, today of all days?'

She knew of Julia, oh yes, everyone knew of Julia. Goodness, what a pain this woman could be. She didn't understand why Julia even bothered asking. When had they ever had what she wanted? Nevertheless, she'd make you go through their banks of fabric sample binders, searching for a distinctive fabric, that would not be found.

'Good Morning, Ms Goodall-Smillie, how are you today?'

'Fine, fine. This morning..... I'm looking for curtain fabric, no brocades, velvets, or damasks, non or your Laura Ashley style nostalgic tat, or derivatives thereof. I know this might be a bit, just a bit, of a forlorn hope. But do you have anything bold, and I do mean bold, either in colour, design or concept. This would be highly highly preferable. Had anything, anything, new in, lately.....ever?'

If Julia's conversation became peppered with repeated words, she was usually  teetering on the edge of her very worst behaviour. The emphasis infusing every sentence with a sarcasm, not lost at all on Ms Treadwell.  Particularly as Julia leaned in towards the hapless shop assistant and practically spit her request at the poor woman's spectacles. Ms Treadwell flickered her eyelids, startled, intimidated, the too close proximity triggering her phobia and hence flustering her.

She was used to a refined, but distant civility, often concealing its sense of superior entitlement beneath a sharply pleated skirt. Brimmingham was the sort of village that kept quiet about its spiteful authoritarian leanings, preferring to conceal them underneath the highly polished walnut veneer of homely gentility. Ms Treadwell's eyes popped wide open at Julia's head-on confrontational manner. Then she took a step back, recomposed her expression, hardening it to the best pinched withering look she could currently muster. Today, today  maybe she did have something to stop Ms Julia Goodall-Smillie's train in its tracks. 

'Actually, I may have I believe the very thing. If you'll just excuse me for one moment'

Randall's like most haberdashers received unsolicited fabric promotion folders, almost on a daily basis. And likewise, almost daily they were quickly passed on to Beryl, who, as a local person with a charitable disposition and the time to indulge it, made shoulder bags or rucksacks out of them. Donating her recycled creations to the homeless refuge in Compton Norton, the nearest town. As a consequence many a drug addled war veteran, lodged temporarily in a defunct Debenham's doorway, also sported a bag made from a patchwork melange of high end fabrics. Snuggled up alongside a smelly wet dog.

In yesterday's delivery had arrived a folder from a new company, London based. Very trendy and hence distasteful in its unhinged desire to offend, called Retinal Hemorrhage. She'd quickly skimmed it quietly confident there was nothing suitable for a Randall's customer. Then threw it into the bin for offcuts and end of roll fabrics. From where she now fished it out. Perhaps this would be a god send for her confrontational customer. The one with that fake hyphenated name and less than savoury origins - Wolverhampton, so she'd heard. The designs, bold yet disturbing, she presented with tentative triumphalism to Ms Julia Goodall-Smillie. 

'How about these?'

Julia's eyebrows arched very high. 

Ms Treadwell looked alarmed, unable to read whether that was a good sign or not.


Curtains My Dear, Curtains
EPISODE 2 - There Is An Art To Choosing When You're Drunk

Will be posted Friday 14th January 2022

Tuesday, January 04, 2022

THE FRIDAY SERIAL - Coming Soon

CURTAINS MY DEAR, CURTAINS

Over the first five Fridays of 2022 I will be posting five short episodes of a story I've recently completed. I've decided to adopt a more Dickensian strategy and to serialise it. Rather than posting it in one humongous blog, so long you could never scroll to its end without getting repetitive strain. 

This way it will be easy to read over your first coffee of the day. A brief bit of mischievous delight to look forward to on these dark Winter mornings. At the very least it might cheer your cockles up at the end of your working week, ready to make the most of your upcoming weekend.

This upcoming serial is call;ed - Curtains My Dear, Curtains - its a gothic tinged story about the travails of a strong characterful woman who decides one morning that she needs new curtains. 

The first episode, will be coming your way on Friday 7th January 2022









THE FRIDAY SERIAL
Curtains My Dear, Curtains 

Friday 7th January -Episode One 
A Fabric Project Prompts A Visit To A Haberdashers

Friday 14th January - Episode Two
There's An Art To Choosing When You're Drunk

Friday 21st January - Episode Three
The Way Of Ordering Gets A Bit Tricky

Friday 28th January - Episode Four
A Handsome Delivery Man Helps With The Hanging Up

Friday 4th February - Episode Five
Contact Tracing Leads To An Unexpected Find


Saturday, January 01, 2022

MY OWN WALKING - Journal 01/01/22

One morning recently I lay half dozing in a sort of waking dream. It was one of those constantly unfolding scenarios where I am lost but trying to get back on track. I was out cycling around with a good Buddhist friend of mine. We get parted along the way whilst peddling through one if those wastelands of run down trading estates, partly redundant warehouses and rubble car parks. Whilst trying to catch up with where I think my friend is, I take a short cut through a small brightly coloured clothes shop. This is very tiny and quite labyrinthine, and has multiple eccentric points of entry and exit. Which one will be the best way of getting out of here with my bicycle and catching up with my friend? 

I never locate him, but then in this type of 'search dream' you rarely do find your way. The desired destiny remains elusive, just beyond tangible reach. The emotional tone of any dream is primary here. The detail is generally misleading should you start over interpreting them. This one put me in touch with my own fears and anxieties about losing spiritual purpose and direction. These feelings have a tender, raw quality to them, surrounded by auras of doubt. It has some truth to it. Whilst I am encouraging myself to stay open and receptive, it has no intentionally predefined sense of direction. To be directionless is not necessarily to be lost? You can have purpose in the moment, without knowing where you heading towards.

Travelling without a spiritual map you do have to stop every once in a while to check out where you are, the terrain ahead, potential paths forward. Maps are nothing but abstractions, symbols and analogies for the path, nothing like the literal ground you are to traverse. But maps provide a sense of security through the confidence in knowing the general direction you're heading in.  A spiritual map defines what your purpose or mission is. Faced with the actual territory there's frequently a mismatch between your experience and what the maps tell you should be there. Its easy to then become confused, questioning and doubt filled. At some point spiritual maps become redundant.

Whether what you are doing us correct. Are going the right way? These are common experiences whether you are travelling within or outside of a spiritual tradition. Questioning and doubts are part and parcel of the currency exchanged between practice and faith. 

The Lotus Sutra recounts a parable. A group of people are being guided towards a supposedly Magic City. Though the journey is arduous and long, thoughts about reaching the Magic City keep everyone motivated.  But as they near where the Magic City should be, the guide informs them there is actually no such a place. That it was employed simply as a device to make the journey easier. Teachings in any tradition, convey particular sets of myths about the path and where ultimately a spiritual journey is destined. Our need for a clear tangible goals sustain our faith, even though ultimately such descriptions of the goal may prove to be deceptive or illusory.

However, here am I, currently talking about my spiritual journey as a supposedly 'independent path'. This is a story I am currently telling myself about why I am doing what I am doing. Though the story is bound to be shot through with self delusion, its helping me navigate my way through the unfamiliar territory I'm currently walking through. Undoubtedly I'll feel occasionally I am wasting my time, wandering about aimlessly in the barren wasteland of the worldly realm. If I am lost, what is it I have lost? Have I lost faith? If so what in?

My motivation, purpose and resolve to persist deserts me from time to time. Confidence and trust in what I'm doing will return, I know. I have to hang loose with feelings of being clueless, bewildered and directionless. Its difficult to stand back, to not strive too hard to forge a way forward. Perhaps, for a while at least, it may be better to stay put, wait patiently, be receptive, to get a better feel for what the actual ground beneath me is like. Faith returns like every good friend does, in its own good time. 

In my last journal entry I touched on a variety of things I felt were missing. Perhaps I need to add faith to that list. Faith can become invisible to you from time to time. Faith stands upon twin unstable grounds, in a goal one has no experience of as yet, in relying upon the slippery hold we have on our sense of purpose and practice.

A journey doesn't need a destination, only a purpose, an imaginary conceit. In your imagination you require your own version of the Magic City. Quite what that is for me at the moment, what I am unconsciously putting my faith in, is an interesting question. I have no clear perception or answer as yet what that is. But I can be sure I will have faith in something.

Friday, December 24, 2021

LISTENING TO - Up All Night by SAULT

SAULT are a loose and constantly rotating music collective based in London. Attracting a serious amount of critical plaudits, plus a Mercury Prize nomination for a series of recent albums Black Is, Rise and recently Nine.

The music is a fascinatingly broad ranging mix of R&B,Soul and funk stylings. Through these exploring their responses to the Black Lives Matter movement, the George Floyd killing and experience of racism. All without it ever becoming worthy, preachy or heavy handed. Its personal and punchy in all senses of the word.

In this social media era, its remarkable so little is really known about them. SAULT are helmed by the producer Inflo, two regular contributors are Kid Sister and Cleo Sol, notable featured artists have been Little Simz and Michael Kiwanuka. 

On Up All Night is from an earlier album called simply 5, on it we find a lighter tone and a deft paean to the pleasures and joys of dance culture.

SHORT STORY - Paternal Fog





The rows of terraced houses built of millstone grit, swept out across the Pennine hillsides. Poking out of the surrounding peaty heather as though they were its curved chest ribs.  Mary's house was in the middle of one short terrace. Once soot blackened, now sandblasted back to its pristine warm honey colour. As though the Industrial revolution had never happened. 

Such terraces, were originally built to house the increase in the towns population during the latter decades of the nineteenth century. Coming to work in the mills and factories. Those same terraces were now being re-branded by estate agents as characterful bijou residences. Excellent starter homes for the aspirational young and recent emigres. Though her family had lived here for near on half a century, Mary had begun to feel out of place. As if she were an anachronistic survivor from entirely another era. In truth, she herself had never felt comfortable here, whatever the time period.

The interior of her house embodied all that was 'homely', with all the vagueness that term holds. The house was stuffed with ornaments. All that could be said was that it felt honest.  No self conscious aesthetic pretensions. Externally sourced senses of style, adapted or adopted, had never entered through its door. Here inside, it was a world all of its own.

To those who knew Mary, the house interior spoke clearly of who she was. The sort of life and lifestyle instinctively she wanted to create for herself . And that had turned out to be 'homely'. An open invitation for someone to pop round, to stay and chat, though few came. Here were rooms where everything placed within them had meaning, intrinsic or assigned. Each item hand picked, chosen by virtue of love, not fashion trend. They could be entirely functional items too. This had become Mary's private motivation in life, to at the very least be useful. 

She rarely reflected on the broad range of her possessions. The role they might have in supporting her mental, physical or spiritual well-being. Well-being was to her a modern fad that had the suspicious whiff of a self indulgence, that was quite alien to her. This sort of sensuous pampering, felt too precious by half. As she took in all three hundred and sixty degrees of her living room, she could reconnect with people, places visited, past events. Conjured by merely being in the presence of a piece of furniture or a decorative object. 

This preservation of memories was all part of an obsessiveness with documenting her own life and that of her family. It was as though the past was all there was left that had any real value. Optimism required the future to be less amorphous and indefinite. She had no valuable family silver. What her parents owned had been all mass produced, pressed metal and electroplated. Sentimental figurines of bucolic shepherdesses, were always more pot than porcelain. It was one of the consequences of being born into a large and moderately impoverished family. All their most precious objects felt more valuable than they actually were. 

Fog was the towns constant, often unwanted, companion. It came in smoking off the river or rolled down from the moors overnight. Either way, it filled up the valley as though it were a bath. Today was one of those occasions when it was still smugly clinging on around town. Only the chimneys of the quiet redundant mills still stuck their fingers up and pierced through it. Out of her back window Mary could hardly see to the terrace opposite. Figures who walked passed were fuzzy grey silhouettes. Reminding her of her Father, short and stocky. His recognisably ambling walk, thumping along the cobbles in work boots. But, gosh, that was decades ago. Her Father was long gone. Like the back alleys between terraces, it was all smoothly tarmacked over by now.

A good few years had past since her Mother had died too. The sense of her loss, along with guilt tinged relief, had long ago softened into a persistent background noise. A quiet hum of loneliness she'd got numbly accustomed to. Only those shape shifting shadows coming and going in the fog bound streets outside, were ever able to catch her emotionally off guard. She recently thought she'd glimpsed her Mother in the fog, which had shaken her nerves quite profoundly.

Her Mother Enid, had been extremely hard of hearing. By the time of her death she'd become a bit of a phantom, a half presence. A broken shell of the woman she'd been in her prime. But at least, she'd been someone to come home to, to cook for and have faltering conversations with. All Mary's brothers and sisters once married, had left. Leaving Mary and Enid living abandoned there together. Both, husband less and amenable to the comforts of a familiar but stale continuity.

It had not been a life choice for her to become the full time carer of her ailing Mother. This just happened. No one in the rest of the family ever asked her if she'd mind doing it. It was almost as if everyone, including herself really, simply expected that she would. She did her daughterly duty, got stuck in, got on with it. When her Mother's physical robustness and mental brightness began to fall steeply away, things turned more emotionally difficult. Mary, no spring chicken herself, found being around her Mother all day and everyday, far more taxing and stressful.

Much as she loved her, removing fouled underwear, washing and dealing with her regressing into a state of dependency, like an adult sized child, changed and tested her relationship. Slow roasting her affection over the fire of resentments and guilt.  Every personal desire was compromised or put on hold. until some time in the future when Mother would no longer be here. Alone, she bore with her anger at the apparent injustice of it all.

Her pride and resolve to be helpful had then taken a real bruising. Usually immensely capable, practically minded and able to manage most things that life threw at her. That quality became gently corroded by rarely getting a break from being the care giver. She'd become tired of just about coping. Her patience with the rest of her family worn paper thin and brittle. Surely the family, who largely stayed away, must realise what she was being put through. But no, it was as if there was a thick opaque veil between her life and theirs. They continued to turn away when their own Mother messed herself again, something she never could do. She had to face that, daily.

But then she'd never found the personal resolve to move out herself. To escape the foggy streets and commitments inherent to living within that terraced house. It was as though her entire past, present and future life were inextricably bound up with that parental home. Things that might normally draw you away from it - a desire for independence, career or marriage - had for whatever reason not happened. If she had been interested in the opposite, or even the same, sex, or to have children, these were feelings kept firmly off limits. Convincing herself that they'd never mattered that much to her anyway.

Mary was the smallest child, who had turned into a smallish adult. Stocky build, legs like tree trunks, round national health glasses. Complete with the family characteristic of thick hair, untameable as wire wool. With the fiery aubern colour, not quite ginger, that all her sisters had. Her complexion the familial palour of off-white, ruddy cheeked, fine blue veined, with the freckles of youth joining up with the liver spots of age to form a mottled tan. Her gate perennially brisk and purposeful. Even on those days when the fog outside was actually more of a cough inducing smog.

Perhaps she did give off entirely the wrong signals. Dressed like that, like she didn't care. Looking to the outside world like a spinster twice her age. Drab, shapeless, unflattering cloths were her style even in her early twenties. Her appearance sexless. Mary felt uncomfortable within her own body, it had never felt quite right. Privately the family thought Mary an odd fish, which was used as shorthand to explain everything about her that was puzzling. Which was quite a lot.

Her family were traditional working class. The sort that wore stoical pride boldly declared upon their duffle coats. Mary, had been born between the Wars. Her parents inculcating in all their children, that life owed you nothing, and could be much briefer than you might wish. Far too short for self absorption or preoccupation with your psychological difficulties. There was still such a thing as rationing you know.  So to others she appeared always chirpy. not a care in the world. Busily tramping around, permanently on a mission. Nothing ever leaking out from her internal world.  Her way of processing and dealing with any personal difficulty that cropped up, was simply to knit or sew, with an ever greater speed and ferocity.

That fog, once it had arrived, could hang around for days and days. But this time it was going on for weeks, seemingly forever. No amount of heavily diffused sunlight appeared to shift it from continuing to wrap itself around the streets like an all enveloping shroud. Hardly able to see three feet in front of you. Mary rarely went out much, she was older now herself and unsteady on her feet, particularly in the Winter. She had lots of ready meals in the freezer. So not even a quick dash across to the corner shop was required very often. You could tell where that shop was, because its lights fluoresced so brightly in the fog. It was as though it were a glowing celestial invitation, for residents to shop local.

Weeks went by, never going out, never seeing anyone, no one, not even family popped by on a visit. Since her Mother's death her engagement with the outside world, instead of expanding to fill the space, had contracted. Venturing out less frequently, there was only the four walls of her 'homely' interior. Her loneliness, though painful, appeared also to drain her of energy. To paralyse her sense of being able to take the initiative. Maybe this was what depression felt like. An ever present fog that did not help, impenetrable and all encompassing. It was like being imprisoned within a cloud.

The streets themselves appeared to change form in the fog, they became less substantial, more ethereal. Solid three dimensional human beings, totally replaced by the wraith like spectres that Mary saw. Not just deceased members of her family, who appeared almost daily, but also former neighbours and friends long gone. Maybe the fog allowed these all to become visible, as if they had always been there hidden behind too much clean air and reality.

Mary one morning whilst sitting up in bed, sipping her breakfast tea, realised a stark and frightening truth - that she was living in complete solitary isolation. How long had it been since she'd seen or talked to another human being? She couldn't remember, sobbing uncontrollably. Through her windows the fog was everywhere as usual. The streets sparsely populated with the shapes and outlines of people, phasing in and out of the fog. The outside world too had become less tangible.

Her mind began broaching on more unthinkable, troubling ideas. How did she know for certain she was even still alive? She felt increasingly like a fog bound ghost herself. Not existing on the physical plane, but in that misty realm occupied by sentiment and past memories? These were all questions she ought easily be able to find answers for, surely. She ventured cautiously outside, wrapped in her quilted dressing gown, it was freezing cold out. You could see your breath. That felt reassuring. Could she find anyone else of certifiable flesh and bone? No! All the shadows and silhouttes out on the street dissolved the moment she drew closer. Frantically knocking along the terrace, no one came to their door or even tweeked a curtain. Because all the other houses turned out to be fake frontages, painted facsimiles on boards. It appeared that unbeknownst to her she'd been living on some sort of film set, masked behind masses of dry ice.

She jerked into a full frenzied panic. Shuffling across the street in her slippers towards the warm glow of the corner shop. Maybe the owner Frankie would be on the counter. She knew everything going on locally, maybe she'd tell her what had happened. The bell rang as she entered. No one seemed to be around. The lighting inside the shop seemed more blinding than usual. The bead curtain rustled between the rooms out back and the shop floor. A man, a person she didn't recognise at all, stood there widely beaming at her. He spoke slowly and kindly.

'Ah, at last you've found us. We were beginning to be concerned about how much longer it was going to take for you to come over. The visualisation of your house was due to fade away soon.  But, never mind you're here now, come on through to the back. There are folks here who  just cannot wait to speak to you'




Saturday, December 18, 2021

FAVOURITE MUSIC TRACKS 2021









In no particular order of preference. 
A few of my most played tracks from this changeable year.
I've found a lot of solace in the enjoyment of music and these tracks in particular.

I hope you do too. 

Click on the song name for the link to the You Tube video

Little Simz ( ft Obongjayar ) - Point & Kill
A simply brilliant fusion of rap with African rhythm. 

Dry Cleaning - Scratchcard Lanyard     
Deadpan, Droll & Utterly Charming

Sparks - Lawnmower   
Playful, Bonkers and Particularly Catchy Fun 

Billy Nomates - NO   
Coarse as a Brick Wall, Assertive & Scathingly Witty

The Revolutionaries - Kunte Kinte Dub 1,2 & 3     
Thanks to Steve McQueen's film Lovers Rock for this Dub Gem

Sleaford Mods (ft Billy Nomates) - Mork & Mindy
Rough Hewn Poetry & Magic from the boys

Gabriels - Love & Hate in a Different Time
Classy & Sassy, Makes your Dark Soul Sing Aloud

Black Country New Road - Science Fair
Unhinged Menace Never Sounded so Alluring & Approachable

Wet Leg - Chaise Lounge
Delightfully Silly & Packed Full of Sexual Euphamisms

John Grant - County Fair 
At his melancholy yearning best, I cry each time I listen to it.

Low - Dissappearing
Breathtakingly beautiful mix of angelic vocals and slabs of massively phased guiitar.

Billy Mackensie - Pain In Any Language
Unrequited Love criss crossing the line between falling in love and obsession, rejection and stalking.

Godspeed You! Black Emperor - Bosses Hang 1- 3
If you've the time to spare, this is quite magnificent.

Natalie Gordienko - Sugar
Last but far from least, this gem from this years Eurovision..

Thursday, December 16, 2021

MY OWN WALKING - Journal 16/12/21

Jnanasalin gave a talk recently about Buddhism at The Octagon Unitarian Chapel in Norwich. A uniquely beautiful example of a Presbyterian non conformist building. For me the place was evocative my own Methodist upbringing as a child, of my Mother and Father.

During the talk there was chanting of the Shakyamuni mantra and Jnanasalin read the opening verses of the Verses on the Faith Mind. I felt a strong upwelling of emotion, I wanted to cry, but I was in a public situation, so checked myself. I felt overwhelmed by feelings of deep fondness. I really missed both the mantra and the verses. They are like dear familiar friends. A love affair that was not yet over, that still meant a lot to me  That sense for things 'missing' lingered. Of many things that are no longer here, such as my parents, I miss them too.

Two days later. I'm up far far too early, as is frequently my misfortune. In these hours I fill the sleeplessness by watching a TV programme or two. On this morning it was one of the Winter Walks in the Yorkshire Dales on I Player. Again I had the same welling up of emotion, again the sense of 'missing'. This time it was for needing to be alone and walking in that countryside. It reminded me of the Pennines, I yearned for the hills and valleys of the West Riding.

I followed this with an episode of The Repair Shop. Where a group of skilled crafts people restore broken family items. Again the emotional welling up. The programme can be over sentimental and manipulative, but it is about mending emotional connections, restoring or repairing what has been lost, forgotten or missing. This is not without significance to my present Zeitgeist. Whilst talking about this to Jnanasalin the emotional dam I'd built burst its restraints.

I've had a tendency in the past when I leave any situation to sever all emotional as well as physical connections. It appears to be how I've coped with disappointments or disillusionment. I move on, with the intention at least, of not going back, not returning. Whilst I've attempted to prevent the momentum of this gaining too much traction, I've found it impossible to completely resist, subvert or divert. One way or another withdrawal will make itself known. 

For the last six months I've not sat to meditate or performed any sort of ritual, Buddhist or otherwise. I have consciously done this to create an open space, from where I might gain a clearer perspective on where I am, what I want to do next, what is it that remains important to me? I seem to need from time to time to step back, to remove myself from contexts. Only when you renounce something do you find out what it means to you.

I've had mixed responses to commitments and belonging to institutions. Though often appreciated and benefited from the supportive context for practice they provide. Yet at some point I find myself rebelling against those self same commitments and institutions, I see them as constraints. Boundaries and disciplines tell you where you are and what you are trying to achieve.  But I can, over time, lose my connection with why on earth I am there, whether this is what I really desire, or just what the religious context itself implies I should want. I cease taking meaningful refuge in it, because faith has, unbeknownst to me, flown off on wings to who knows where. I need to follow wherever that faith goes.

Here I am endeavouring to 'own my own walking' Forgetting that I also need to own and respect where it is I have already walked. What there is from my past spiritual journey that I still love, find useful, and, hence, should be taking forward with me. My emotional connection to what was 'missing' was as good as an alarm bell, or someone waving a red flag in my face. 

There is undoubtedly sentimental attachment present too. Missing the comfort of the familiar.  This does not necessarily mean returning to any religious context I've once been part of. But it does require me to pick up and reexamine a few things that may have fallen out of the trolley on my way to the supermarket check out.

Monday, December 13, 2021

POEM - Water Retension

In just one whisk of a
febrile moment, a fly on a whip of wire
hits the water, awakens it
ringing
across the tension like a bell
until that vibration, that throb of presence
hooks the eye, then the mouth
of a distracted minnow, till it is ritually
netted, extracted and examined like a specimen
on a grassy bank,
invariably
something else comes up
flailing and gasping in harmony with the fish,
a message
bound in the same slime envelope
that turbulence muddied, it releases an ancient sigh
once abandoned, hurriedly concealed
rushing up to freely associate with the present moment
the outward demeanour of clouds, the blue framed sun
breaking through the ripple glazed ceiling, between
subliminal and liminal, its a fragment of a page
emotionally ripped
from the half remembered
pored over now, as we walk again
in its forest woods, breath in its pollinated air
inhabit its words, its angles and trajectories
bathetic consequences
that didn't go right, back then, did it?
has it ever? for you? for them? for then
does not look good for being kept quiet about, even now,
you come out of it bad, still so blinkered
to what was wrong on your part
double dipped in selfishness and shame
every regretful cough
requires you to swallow hard
whilst observing the guilt itself forage for further food
like squirrels in the fall do, kicking up
speckled cancerous leaves as they go
madly scampering
across long cast shadows, thrown
further away, by the low slung obtuseness of a
winter sun, pulling the limbs
of trees, into the pleading elasticated arms
of El Greco martyrs filled with remorse,
a small teaspoon of mercy to lay
at the feet of the smaller god head, that is you,
the eternally virtuous version, endlessly rewarded
with a venerable absence of mind, a lousy grasp
of history, a forgetfulness, not only infectious
but careless, because
it conveniently absents you from reading aloud
the written details
on the page, what you should regret
but you know that just so long
as you are prepared to wait, sit it out, say nothing
thoroughly enough, this bubble will burst
the surface waves subside, the fish returned to its pond
and nothing will remain
to say to self or other, that whatever happened
happened, there will just
be you, the fly and the vague aroma of something
not being quite right
quickly blown away on a light breeze
.


Written December 2021
Stephen Lumb


Wednesday, December 08, 2021

SHERINGHAM DIARY No 55 - Say Hello To Barbara

In the right royal realm of Peppa Pig nothing is going awry in the world.......until if course it does.


As I write we are returning to mandatory mask wearing in shops and public transport. So, it looks like we are not yet beyond selling the face masks that Jnanasalin has been making consistently over the last eighteen months or so. Eight hundred of them and still rising, as we currently sell around fifty a month on average. Its not something we ever imagined Cottonwood Home would hold as a standard stock item. That our best selling line would be a handmade decorative fabric face mask. This is a strange retail world we live in.

November, has been a month of stark contrasts. Extremely mild weather and fresh sunny days, interspersed with heavy rains, winds, storms and wintry blasts. Consequently shop takings have mirrored this chopping and changing.  In the off season we draw more from local residents, whose appearance in town is notoriously more weather dependent.  But overall, though lower in key, its had a heartening flavour to it. A lot better than our pessimism might have allowed us to imagine.










Thursford's Christmas Show has returned this year. So daily, around 11am, a coach party or two of the still ambulatory semi retired will stop over for a couple of hours in Sheringham. On their way to their yearly injection of high camp, courtesy of the two o'clock matinee.  As is ever the case, where the coach is coming from dictates whether we get any trade from it. If its from the Midlands or the North, then the visitors are often dressed ready for Winter weather, elderly eskimos clad in white padded jackets with fur edged hoods. They get waylaid by next doors 'rude' cards, laugh long and hysterically,. Then, barely giving our shop anything more than a desultory sideways look over their shoulder, they leave. 

If the coach is from the Home Counties, well, they behave like wasps drawn towards a bowl of sugar. Bringing an assorted middle class coterie of Hinge and Brackets across our very welcoming portal. So far there's not been that many of these. Which perhaps says a lot about the type of demographic the Thursford show generally draws its audience from. The sort that remember with nostalgia Saturday Night at the London Palladium, or never saw anything at all wrong with the Black and White Minstrel Show.

After four and a half years of reliability, Nigella, our fourteen year old black Vauxhall Corsa, passed over to the great scrapyard in the sky. We'd been returning from a Sunday jaunt to Diss and the gears and clutch were not working together smoothly in lower gears.  Having carefully got us home, Jnanasalin drove her the next day into our usual garage. Whilst they were taking her out on a test run, what was left of the gears cracked open like a Cadbury's Easter egg, and that was that.

There had been some indications she'd been nearing the end of her useful life. Becoming noisier, her suspension weaker and the electronics had developed some random idiosyncrasies.  Nevertheless, any demise takes you by surprise. Suddenly we had to buy another car, a second hand Vauxhall Meriva. 








So what would we name it, would it feel masculine or feminine to drive.  Thinking Meriva sounded vaguely latin, we toyed with perhaps calling her Gloria ( as in Estefan ) Once we had experience of her first hand we realised she wasn't really that exotic a car. Much more practically headed and conventional machine, so we said hello instead to Barbara ( as in Good ).

Whenever Jnanasalin is away I make the most of the opportunity to watch an art movie. So recently whilst he was on a weekend visit to his family, I watched Portrait of a Lady on Fire, a film by Celene Sciamma well deserving of being called ravishing. A sensitive and sensual portrayal of the developing intimacy between a female artist and her initially reluctant sitter. Its framing and visual quality is astonishing. Its as though you are watching all the subtle placing of figures and items in a Dutch interior, staged with the dramatic quality of light of a Caravaggio. A truly marvellous film. 

Jnanasalin also has a regular weekly meeting with fellow Buddhist order members. This has become my night for indulgence in The Fassbinder Film Club. Currently working my way through his back catalogue. In my art school days in the late seventies he was considered the edgiest of cutting edge German cinema. Hugely influential but perhaps overlooked these days. You can stream many of them from Google Play for £1.99, which speaks volumes I guess.

Over his career the films are highly variable. The earliest ones like The Holy Whore are self-consciously stilted and avante guarde in style. They glory in their quirks and oddities, But here are the experiments that his later films are founded upon. Highly political and provocative, often executed in a heightened melodramatic style of symbolic realism. Rainer Werner Fassbinder emerged out of experimental theatre in the late sixties. His films continued to possess a contrived theatricality of feeling, of being deliberately arche, stagey in acting. Exquisitely posed in set, dramatic use being made of doorways and mirrors to frame scenes.










His better films focus on a strong central female characters. Many played by Hanna Schygulla whom he referred to as 'the driving force.' They are frequently quite beautiful to look at but brutally honest. Sympathetic to characters who are invariably outsiders, betrayed both by love and society. Fassbinder's films explore  knotty moral issues in a raw, quite unfiltered manner. At the same time they are frequently touchingly human in the complex frailties they portray. Fassbinder himself was a deeply conflicted man, who thrived on living up to the idea of being the enfant terrible. One is left an impression that, as a person, you may not have always found him convivial company. A drug overdose brought his career to an end at the age of 37.








His films create a Brechtian distant unease.  What you are shown is human behaviour that is not always kind, tasteful or pleasant. Fear Eats The Soul,  Effi Breist, The Marriage of Maria Braun and The Bitter Tears of Petra von Kant are the best I've watched so far.


Meanwhile, in another alternate universe altogether, our Prime Minister has successfully completed his public transition into Mr Bungle. Who didn't hold parties during covid restrictions. But he is a lying toe rag after all.  And everyone appears to be quite fine with that............until they are not.

 


Friday, December 03, 2021

FINISHED READING - Three Books by Richard Holloway

I was drawn to Richard Holloway's writing, because his spiritual journey contains some elements I felt were comparable with my own. He felt like a person from whom I might learn something about practice outside of a religious tradition.

Godless Morality, Keeping Religion out of Ethics was first published  in 1999. It proved a step too far for the C of E, making the position of Richard Holloway the then Bishop of Edinburgh untenable, he felt he had to resign. The ramifications of that decision rumble on for him still. In The Stories We Tell Ourselves, published fifteen years later he is still trying to make sense of what his religious understanding and relationship to his faith is now. Simultaneously out or sync with, whilst remaining lovingly connected to, aspects of the Christian spiritual tradition. 

It can be easy to use ones knowledge of doctrine as this killer blow to win or close down discussions.  On the personal level of an individual practitioner it isn't necessarily helpful for someone in a position of authority to always 'put right' your views. Particularly if a fuller exploration of meaning, or a moral dilemma maybe required.  Sometimes you just have to take that long rambling journey, in order for any change to become a really genuine one. You can't use the word of god or the Buddha as a short cut to insight.

'Revealed religions tend to blow a smokescreen round the living reality of the faith-doubt experience and out of the smoke emerges - doctrinal certainty!  Behind a great clatter of mirrors and a great fog of smoke they move from faith to certainty. Believers are not encouraged to take the plunge of faith, they are invited to swear to the certainty of a series of historic claims that come in propositional form'

All religions, theistic or otherwise, move from believing provisionally 'as though it were true' to the swearing of oaths of loyalty to the veracity and certainty of some pre-packaged absolutes. The one and only true way to see reality. Its not even that these are wholly wrong or wholly right, they're just incomplete facsimiles. Virtual truth mistaken for the real. The unknowable air of mystery swept aside by the assertion of incontrovertible doctrine.'*

In many ways all his books ask the same questions - To what extent does the way we hold to religious doctrines and religious institutions help or hinder spiritual progress, practice and life.? What light do these cast on the meaning of human Life?  Looking in the Distance from 2004 examines that very human search to explain the how, why and what we are here for.

'even if we choose to go overboard and swim alone, we have not necessarily abandoned the religious quest; not if we think of it as the name we give to humanity's preoccupation with its own meaning or lack of meaning'**

Confident assertions of belief from scientists or religious leaders about where we and the universe have come from, rarely fully convince. There is a certain amount of confirmation bias going on in the solutions we come up with. Whether they explain things through the concept of god or an unconditioned emptiness or the universe as a self contained solid state. All end up imagining something beyond our current comprehension and hence lack verifiable evidence.  Leaving us in a state of unknowing. Nonetheless its worth noting how quickly opinion, conjecture and hypothesis quickly become firm belief and fact.

'Those of us in this place of unknowing believe that the war of opposing interpretations is pointless, because the mystery of Being can be neither demonstrated nor destroyed by explanation, it is a wound that has to be endured.'**

We can't help ourselves from wanting to fill that void with something though. As G K Chesterton once said, 'When men stop believing in god, they don't believe in nothing, they believe in anything'  Perhaps as the Buddha indicated the search for answers to our lack of meaning, god or no god, these only send your mind into a speculative spin. Off in pursuit of an endless fools errand. Basically don't bother yourself with them, its a useless activity - get on with your meditation.

' living in this state about the ultimate meaning or unmeaning of things is so arduous and painful that its entirely understandable that we constantly create theoretical objects for ourselves onto which we project a fictitious reality in order to rescue us from uncertainty.'**

Staying and sitting with uncertainty and the insecurity that arises from it, is a meditative practice. Its seldom done for long.  As we persist in grasping at certainty through beliefs and security in scientific fact or religious authority,which neither can fully or securely sustain. 

In The Stories We Tell Ourselves from 2014 he takes familiar biblical stories and reinterprets them. Trying to counter more traditional, literal interpretations by perceiving them as archetypal stories, myths we can be guided by. Towards the end of The Stories We Tell Ourselves, he draws a few conclusions about what use these stories might be. What is the ultimate purpose of any spiritual teaching? Are they to enable you to discover things for yourself, or to instruct you in the doctrinal authority of what you must do?  Volition and outcomes are primary.

'Better to do the right thing as if God did not exist than to do the wrong thing in the name of God whose existence you are certain of'***

Whilst not a practicing Christian, I am interested in how Holloway reframes the image and purpose of god. That perhaps it is better if god is not personified, conceived of as 'no thing', a way, or to not existing at all. The individual is then left holding the responsibility for directing their impulses towards the good or god within themselves. The teachings of Jesus do not lose their relevance or usefulness the moment the epithet 'son of god' is removed. The term 'son of god' may not have been used as a literal statement of fact, but more a state of interconnectedness, a way of being. Maybe even the whole purpose of human spiritual practice.

I struggled at times with some of the Christian theology and language. I couldn't always cross them over into concepts I could find useful. But I did resonate with the overarching purpose of these books. In a way, does it matter what 'the stories you live by' are, what you put your faith in, what you believe in even? Particularly if they are all 'incomplete facsimiles' of the truth anyway. The act of faith is an orientation, a boat you inhabit and travel in.- destination towards the unknown or unknowable.

Perhaps the focus should be more  on -What happens as a result of them,? - How do you respond and act? - What do you do? -What are the consequences and benefits they produce upon yourself, upon others, upon the world? These questions remain the same regardless of whether its religious, political, economic, social or cultural stories, beliefs and ideologies we are following.

' Given that the universe is what it is - however you understand it - what are you going to do about it? How have you personally decided how to respond? What story have you decided to live by? Whether or not you know it, you are already living by a story you are telling yourself. So, what difference does your story make? Upon whom does it impact? Are you aware of its impact? Come to think of it, do you even know the story you are living by?'***

CARROT SCORE - 6/8






* from Godless Morality, Pub. Canongate Books 1999
** from Looking in the Distance, Pub. Canongate Books 2004
*** from The Stories We Tell Ourselves, Pub. Canongate Books 2014